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The study of ethnomusicology: thirty-three discussions
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  • 2019Cultural evolution of music101 cited
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  • 2022Sequence alignment of folk song melodies reveals cross-cultural regularities of musical evolution75 cited
  • 2018Alan Lomax’s Cantometrics Project41 cited
  • 2020Origins of music in credible signaling40 cited
  • 2016Safeguarding Intangible Cultural Heritage in the Republic of Macedonia35 cited
  • 2015How ‘Circumpolar’ is Ainu Music? Musical and Genetic Perspectives on the History of the Japanese Archipelago31 cited
  • 2023Group singing is globally dominant and associated with social context30 cited
  • 2017Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth-Century Sri Lanka24 cited
  • 2020At the nexus of ethnomusicology and music education: pathways to diversity, equity, and inclusion23 cited
  • 2023Human Musicality and Gene-Culture Coevolution: Ten Concepts to Guide Productive Exploration23 cited
  • 2018Musical Cosmopolitanism, Bodies and Aesthetic Cultures22 cited
  • 2017Why Narrative Now? Marking a Decade of Narrative Inquiry in Music Education20 cited

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  • 2018Coda: Current Trends and Future Development in Transmitting Traditional Music18 cited
  • 2022Empire, diplomacy, and the racial imagination: Spain at the Cairo Congress of Arab Music (1932)18 cited