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Cited by

• 2016Autoethnography as a new approach in conservation44 cited
• 2013The Artist’s Intent in Flux30 cited
• 2016The potential role of citizen conservation in re-shaping approaches to murals in an urban context12 cited
• 2020Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation12 cited
• 2015Co-Producing Conceptual Art: A Conservator’s Testimony9 cited
• 2017Materializing the intangible: the documentation of Luís Vaz 73 (1975), by Jorge Peixinho and Ernesto de Sousa8 cited
• 2018Performance art temporalities: relationships between Museum, University, and Theatre8 cited
• 2013Whose decision is it? Reflections about a decision making model based on qualitative methodologies7 cited
• 2023Conservation of Contemporary Art6 cited
• 2019Art on Paper/Variable Installation: Sara Hughes’ Torpedo at the Art Gallery of New South Wales4 cited
• 2016Mediating meanings: conservation of the Staffordshire Hoard4 cited
• 2023Embracing Humanness in Cultural Materials Conservation: A Roundtable Discussion with Conservation Professionals on Ethics, Values and the Future3 cited
• 2020Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum1 cited