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Spectral damage model for lighted museum paintings: Oil, acrylic and gouache
10 references·8 citing·42 second hop
Spectral damage model for lighted museum paintings: Oil, acrylic and gouache (2016)Spectral damage model for lighted museum …Advanced daylighting evaluation applied to cultural heritage buildings and museums: Application to the cloister of Santa Maria El Paular (2015)Advanced daylighting evaluati…An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)An Investigation of the Recip…A study of the blue colors used by Telemaco Signorini (1835–1901) (2009)A study of the blue colors us…Environmental parameters in museums (2003)Environmental parameters in m…Effect of wavelength on the laser cleaning of polychromes on wood (2003)Effect of wavelength on the l…Environmental monitoring in four European museums (2001)Environmental monitoring in f…Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)Multispectral imaging system …Damage to museum objects due to light exposure (1996)Damage to museum objects due …The Russell and Abney Report on the Action of Light on Water Colours (1964)The Russell and Abney Report …A New Look at Colour Rendering, Level of Illumination, and Protection from Ultraviolet Radiation in Museum Lighting (1961)A New Look at Colour Renderin…Photodamage prediction model and optimal lighting system for polychrome artworks in museum (2024)Photodamage prediction model …Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry (2024)Cadmium Yellow Pigments in Oi…Spectral Light Fading of Inkjet Prints (2022)Spectral Light Fading of Inkj…Optimal LED spectrum for lighting Chinese paper cultural relics in museums (2021)Optimal LED spectrum for ligh…A new lighting method for cultural materials using selective chromatic light (2021)A new lighting method for cul…Virtual Restoration and Visualization Changes through Light: A Review (2020)Virtual Restoration and Visua…Spectral damage model for lighting paper and silk in museum (2020)Spectral damage model for lig…Raman spectroscopy-based method for evaluating LED illumination-induced damage to pigments in high-light-sensitivity art (2020)Raman spectroscopy-based meth…The Conservation of Antiquities and Works of Art (1973)The museum environment (1978)The Organic Chemistry of Museum Objects (1988)A methodology for microclimatic quality evaluation in museums: Application to a temporary exhibit (2008)Review of preventive conservation in museum buildings (2017)Review of museums' indoor environment conditions studies and guidelines and their impact on the museums' artifacts and energy consumption (2018)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)The application of LIBS for the analysis of archaeological ceramic and metal artifacts (2002)Laser cleaning of terracotta decorations of the portal of Palos of the Cathedral of Seville (2005)Characterization of pigments used in painting by means of laser-induced plasma and attenuated total reflectance FTIR spectroscopy (2008)Analytical Spectroscopic Investigation of Wavelength and Pulse Duration Effects on Laser-Induced Changes of Egg-Yolk-Based Tempera Paints (2010)The Light-Fastness of the Natural Dyes (1966)Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Chemical Principles of Textile Conservation (2000)Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Photochemical colour change for traditional watercolour pigments in low oxygen levels (2014)Wavelength Dependence of Light Induced Changes in Reflectance Spectra of Selected Dyes and Pigments (2017)Microclimate for Cultural Heritage (2000)Indoor environment and conservation in the Royal Museum of Fine Arts, Antwerp, Belgium (2004)Painting Materials : a Short Encyclopedia (1943)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Insights into Masolino's wall paintings in Castiglione Olona: Advanced reflectance and fluorescence imaging analysis (2010)Painting Materials: A Short Encyclopedia (2011)New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials (2016)An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage (2024)An evaluation of daylight distribution as an initial preventive conservation measure at two Smithsonian Institution Museums, Washington DC, USA (2010)Sustainable lighting of museum buildings (2013)Application of climate-based daylight simulation to assess lighting conditions of space and artworks in historical buildings: the case study of cetacean gallery of the Monumental Charterhouse of Calci (2020)Study on Daylighting Optimization in the Exhibition Halls of Museums for Chinese Calligraphy and Painting Works (2020)The impact of illuminance and colour temperature on viewing fine art paintings under LED lighting (2014)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)Interpreting Art with Light: Museum Lighting between Objectivity and Hyperrealism (2019)A Comparison of Clear versus Yellow Ultraviolet Filters in Reducing Fading of Selected Dyes (1988)Artwork visualization using a solid-state lighting engine with controlled photochemical safety (2014)Comparison of environmental criteria for conservation and storage of collections: A comprehensive literature review (2023)Chapter 5 Hyperspectral Imaging: A New Technique for the Non-Invasive Study of Artworks (2007)Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics (2010)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Colour measurements of surfaces to evaluate the restoration materials (2011)Large-scale assessment of light-induced color change in air and anoxic environments (2012)Change is permanent: thoughts on the fading of cochineal-based watercolor pigments (2017)
this work references cited by second hop

References

  • 2003Environmental parameters in museums258 cited
  • 2001Environmental monitoring in four European museums225 cited
  • 1998Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis143 cited
  • 1996Damage to museum objects due to light exposure76 cited
  • 2009A study of the blue colors used by Telemaco Signorini (1835–1901)60 cited
  • 1964The Russell and Abney Report on the Action of Light on Water Colours50 cited
  • 2011An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry44 cited
  • 2003Effect of wavelength on the laser cleaning of polychromes on wood41 cited
  • 2015Advanced daylighting evaluation applied to cultural heritage buildings and museums: Application to the cloister of Santa Maria El Paular35 cited
  • 1961A New Look at Colour Rendering, Level of Illumination, and Protection from Ultraviolet Radiation in Museum Lighting26 cited

Cited by

  • 2020Spectral damage model for lighting paper and silk in museum25 cited
  • 2020Raman spectroscopy-based method for evaluating LED illumination-induced damage to pigments in high-light-sensitivity art14 cited
  • 2021Optimal LED spectrum for lighting Chinese paper cultural relics in museums12 cited
  • 2024Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry

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10 cited
  • 2020Virtual Restoration and Visualization Changes through Light: A Review10 cited
  • 2021A new lighting method for cultural materials using selective chromatic light3 cited
  • 2022Spectral Light Fading of Inkjet Prints3 cited
  • 2024Photodamage prediction model and optimal lighting system for polychrome artworks in museum3 cited