Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550

Abstract

As I completed this article, I learned of the death of Howard Mayer Brown, one of the great musicologists of our time, cherished as colleague and mentor at the University of Chicago and throughout the music-scholarly and early music world. Although known as a Renaissance specialist, Howard was passionate about many musics and many branches of music scholarship. The original edition of Das Meisterwerk in der Musik that I consulted in preparing this study was a gift to me some years ago from Howard's personal library. Such acts of generosity, with minimal fuss, were the cantus firmus of his life. I dedicate this article to the memory of Howard's generous spirit.

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