Fight-dancing and the festival: Tabuik in Pariaman, Indonesia and Iemanjá in Salvador da Bahia, Brazil

Abstract

Festivals bring people together in affirmations of community. This article looks at two festivals in coastal locations in Indonesia and Brazil with a close inspection of performances of fight-dancing included within both festivals. The improvisatory or choreographed organization of the fight-dancing performances echoes the manner in which the festivals themselves are assembled. As these festivals grow in popularity, the process of inventing tradition is heterogeneously co-constituted by those parties who actively invest in the symbolic capital of the events. Verbal and non-verbal forms of expression reinforce each other in the construction of a multivalent sense of regional traditions. The corporeal engagement of organisers and participants blurs the boundary between embodied remembering and narrative accounts. Based on archival research and ethnographic fieldwork, this article explores the interweaving of fight-dancing with the history, growth, and post-colonial expression of regional festivals.

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