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Cited by

• 2000Luhmann, Habermas and the theory of communication315 cited
• 2010The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production299 cited
• 2002Listening to Capoeira: Phenomenology, Embodiment, and the Materiality of Music152 cited
• 1976Fragments on the phenomenology of music116 cited
• 1973Orchestra Interaction: Some Features of Communication and Authority in an Artistic Organization108 cited
• 1994Epistemology and Educational Research: The Influence of Recent Approaches to Knowledge100 cited
• 2014Social Spaces of Music: Introduction70 cited
• 2015Music Worlds and Body Techniques: On the Embodiment of Musicking41 cited
• 1989Occupational rhetoric and ideology: A comparison of copy and original music performers36 cited
• 2014Music Worlds and Internal Goods: The Role of Convention33 cited
• 2014On the tacit side of organizational identity: Narrative unconscious and figured practice28 cited
• 1995The Musical Composition of Social Reality? Music, Action and Reflexivity27 cited
• 2015Unfreezing identities: Exploring choral singing in the workplace25 cited
• 2014Epistemic stance in orchestral interaction25 cited