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The musical behavior of folklore groups towards their environment is marked by conflicting models. On the one hand such groups tend in a historicizing way to try to revive the past using the most authentic forms possible (concept of cultivating the original old). At the same time, involvement with the modern is a transcendence of old concepts in that the local is syncretically blended together with new ideas (concept offusioning the old and new). The dynamic oftradition lies precisely in the musical relationship between local and global perspectives, regression and emancipation, and between retrospection and future outlooks.
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