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Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence
15 references·3 citing·32 second hop
Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence (2006)Canadian Reflections on Palindromes, Inve…Backyard World/Canadian Culture: Looking at Festival Agendas (2013)Backyard World/Canadian Cultu…Native American contemporary music: The women (2002)Native American contemporary …The Dark Side of the Nation: Essays on Multiculturalism, Nationalism, and Gender (2000)The Dark Side of the Nation: …Music, Politics, and War: Views from Croatia (1999)Music, Politics, and War: Vie…Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India (1999)Imaging Sound: An Ethnomusico…Retuning Culture (1996)Retuning CultureThe quest of the folk: antimodernism and cultural selection in twentieth-century Nova Scotia (1995)The quest of the folk: antimo…Oppositional Aesthetics: Readings from a Hyphenated Space (1994)Oppositional Aesthetics: Read…Ethnomusicology and Modern Music History (1992)Ethnomusicology and Modern Mu…Missed Opportunities: The Story of Canada's Broadcasting Policy (1991)Missed Opportunities: The Sto…Swinging in paradise: the story of jazz in Montreal (1989)Swinging in paradise: the sto…Bluegrass: A History (1985)Bluegrass: A HistoryEncyclopedia of Music in Canada (1982)Encyclopedia of Music in Cana…Je me souviens (1978)Je me souviensThe Writing of Canadian History: Aspects of English-Canadian Historical Writing, 1900-1970 (1977)The Writing of Canadian Histo…Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality (2019)Musings on ethnomusicology, i…The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives (2015)The Power of Stories: Canadia…The inclusion of musical knowledge and perspectives of a First Nation in three Ontario mainstream schools (2011)The inclusion of musical know…Reinventing the enemy's language: contemporary native women's writings of North America (1997)Dis/locating Cultures/Identities, Traditions, and Third World Feminism (2000)Negotiating and enacting musical innovation and continuity: How some torres strait islander songwriters incorporate traditional dance chants within contemporary songs (2004)A Tribalography of Alaska Native Presence in Academia (2013)Native American ways of (music) history (2013)Troubling National Discourses in Anti-Racist Curricular Planning (2005)The Sounds of Silence: Talking Race in Music Education. (2007)Cultural safety and the challenges of translating critically oriented knowledge in practice (2009)9. Respect Differences? Challenging the Common Guidelines in Social Justice Education (2010)From Paths of Glory to Celebrity Boulevards: Sociology of Paris Match (2011)How to help the patient motivate himself? (2012)News Translation and Cultural Resistance (2010)When Tradition meets Immediacy and Interaction. The Integration of Social Media in Journalists’ Everyday Practices (2015)Transnational over-the-top media distribution as a business and policy disruptor: The case of Netflix in Canada (2017)'Care, Control and Supervision': Native People in the Canadian Atlantic Salmon Fishery, 1867-1900 (1998)Performance, Politics, and Representation: Aboriginal People and the 1860 Royal Tour of Canada (2003)Worldmaking Agency–Worldmaking Authority: The Sovereign Constitutive Role of Tourism (2009)Bluegrass music and its misguided representation of Appalachia (1996)Another history of bluegrass: The segregation of popular music in the United States, 1820–1900 (2001)Time on the Crooked Road: Isochrony, Meter, and Disruption in Old-Time Country and Bluegrass Music (2011)Belonging and detachment (2002)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)The Past in Music: Introduction (2006)Feel the beat come down: house music as rhetoric (2003)Is anybody listening? (2003)The Influence of Conservatory Folk Music Programmes: The Sibelius Academy in Comparative Context (2009)FOCUS: A GEOGRAPHICAL APPRECIATION OF HAROLD A. INNIS (1993)No "Greek-Letter Writing": Local Models of Resource Economies (2005)The biographical turn and the case for historical biography (2017)Ontologies of acoustic endurance: rethinking wartime sound and listening (2018)Race and the Yugoslav region (2018)The Musical Gift (2018)
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References

  • 2000The Dark Side of the Nation: Essays on Multiculturalism, Nationalism, and Gender545 cited
  • 1995The quest of the folk: antimodernism and cultural selection in twentieth-century Nova Scotia214 cited
  • 1991Missed Opportunities: The Story of Canada's Broadcasting Policy112 cited
  • 1977The Writing of Canadian History: Aspects of English-Canadian Historical Writing, 1900-197096 cited
  • 1999Music, Politics, and War: Views from Croatia73 cited
  • 1992Ethnomusicology and Modern Music History66 cited
  • 1985Bluegrass: A History49 cited
  • 1978Je me souviens49 cited
  • 1996Retuning Culture40 cited
  • 2002Native American contemporary music: The women31 cited
  • 1982Encyclopedia of Music in Canada27 cited
  • 1999Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India26 cited
  • 1994Oppositional Aesthetics: Readings from a Hyphenated Space26 cited
  • 1989Swinging in paradise: the story of jazz in Montreal13 cited
  • 2013Backyard World/Canadian Culture: Looking at Festival Agendas9 cited

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  • 2019

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Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality
5 cited
  • 2015The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives4 cited
  • 2011The inclusion of musical knowledge and perspectives of a First Nation in three Ontario mainstream schools4 cited