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Cited by

• 2010What's in a Name? Linguistics, Geography, and Toponyms*94 cited
• 2011New Orleans Music as a Circulatory System64 cited
• 2010Disney’s Second Line: New Orleans, Racial Masquerade, and the Reproduction of Whiteness in The Princess and the Frog31 cited
• 2015Black Brotherhoods in North America: Afro-Iberian and West-Central African Influences29 cited
• 2010Creolizing contradance in the Caribbean27 cited
• 2014Rituals and Traditional Events in the Modern World21 cited
• 2011Studying U.S. Music in the Twenty-First Century20 cited
• 2013Performing Africa in New Orleans18 cited
• 2014Contemporary Tango and the Cultural Politics ofMúsica Popular17 cited
• 2015Hoedowns, reels, and frolics: roots and branches of southern Appalachian dance12 cited
• 2013Why African Americans Put the Banjo Down9 cited
• 2013Black Hillbillies9 cited
• 2013Freedom and Cultural Consciousness: Black Working-Class Parades in Post-Katrina New Orleans8 cited
• 2018Transnational Frames of Afro-Latin Experience7 cited
• 2015Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice