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Of Monstrous Masses and Hybrid Heroes: Del Toro’s English-Language Films
15 references·0 citing·31 second hop
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References

  • 1986Hollywood from Vietnam to Reagan578 cited
  • 2001Covering Immigration448 cited
  • 2001Covering Immigration: Popular Images and the Politics of the Nation348 cited
  • 1997The Dread of difference: gender and the horror film195 cited
  • 1998Recreational terror: women and the pleasures of horror film viewing172 cited
  • 2002Latino Images in Film: Stereotypes, Subversion, and Resistance168 cited
  • 2003Latino Images in Film: Stereotypes, Subversion, and Resistance124 cited
  • 2005The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive79 cited
  • 2000Film genre 2000: new critical essays43 cited
  • 2013The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón35 cited
  • 2006Crowds, Power, and Transformation in Cinema34 cited
  • 1993THe Horror Film in Neoconservative Culture22 cited
  • 2010The Digital Multitude19 cited
  • 19957 Horror and the Carnivalesque15 cited
  • 2008Guillermo del Toro'sCronos: the Vampire as Embodied Heterotopia10 cited

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