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Boundaries and Borders in the Study of Music in Latin America: A Conceptual Re-Mapping
5 references·4 citing·38 second hop
Boundaries and Borders in the Study of Music in Latin America: A Conceptual Re-Mapping (2000)Boundaries and Borders in the Study of Mu…Blackness In The Americas (1992)Blackness In The AmericasNoise, the Political Economy of Music (1989)Noise, the Political Economy …Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…The Web of Culture: A Context for Musicology (1984)The Web of Culture: A Context…Sound Structure as Social Structure (1984)Sound Structure as Social Str…The Invention of Latin American Music (2020)The Invention of Latin Americ…Aficionados, Academics, and Danzón Expertise: Exploring Hierarchies in Popular Music Knowledge Production (2014)Aficionados, Academics, and D…MUSICAL CREATION, RECEPTION, AND CONSUMPTION IN A VIRTUAL PLACE (2007)MUSICAL CREATION, RECEPTION, …Bridging South America and the United States in Black Music Research (2002)Bridging South America and th…Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Expediency of Blackness: Racial Logics and Danzón in the Port of Veracruz, Mexico (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Why Suyà Sing. A Musical Anthropology of an Amazonian People (1991)The Black Atlantic: Modernity and Double Consciousness. (1997)The Power of Black Music: Interpreting its History from Africa to the United States. (1997)Black Music and Writing Black Music History: American Music and Narrative Strategies (2008)Fonograma 108.077: o lundu de George W. Johnson (2011)A Century and a Half of Scholarship on Afro-Latin American Music (2018)THE STRUCTURE OF SCIENTIFIC REVOLUTIONS (1963)The Interpretation of Cultures (1974)Culture and musical hermeneutics: The Salome complex (1990)Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music (2000)“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65 (2012)The Interpretation of Cultures (2017)Emotion and Meaning in Music (1961)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Language and Symbolic Power. (1992)Ethnographic Atlas: A Summary (1967)Folk Song Style and Culture. (1969)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Innate talents: Reality or myth? (1998)What Is Sociological about Music? (2010)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Changing Highbrow Taste: From Snob to Omnivore (1996)Translocal art worlds. Mobilities, routes, and conventions (2022)Transatlantic LatinX studies, Iberian studies, and the Global South (2024)Musicology as a Political Act (1993)The Imaginary Museum of Musical Works (1994)Jazz Among the Discourses (1995)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)GLOBALISATION AS HYBRIDISATION (1994)When the Saints Go Riding in: Santeria in Cuba and the United States (1996)Translating “Race” and “Raza” between the U nited S tates and M exico (2013)
this work references cited by second hop

References

  • 1989Noise, the Political Economy of Music710 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1984Sound Structure as Social Structure346 cited
  • 1984The Web of Culture: A Context for Musicology56 cited
  • 1992Blackness In The Americas42 cited

Cited by

  • 2020The Invention of Latin American Music41 cited
  • 2014Aficionados, Academics, and Danzón Expertise: Exploring Hierarchies in Popular Music Knowledge Production15 cited
  • 2002Bridging South America and the United States in Black Music Research9 cited
  • 2007MUSICAL CREATION, RECEPTION, AND CONSUMPTION IN A VIRTUAL PLACE6 cited

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