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The Shepheardes Calender is the most avowedly eclectic masterpiece in English. Spenser acknowledges several borrowings in the names of the speakers and in the emblems, as well as in the lines of the poem themselves; and E. K. points to many more. The only really new ingredient is the form, a framework which links the separate eclogues into a connected series. Everything else is conscious imitation of a convention, or at least of a precedent. Therefore the implications of the form become salient in any attempt to assess the distinctive genius of the work.
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