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What constitutes artist success in the Australian music industries
3 references·4 citing·26 second hop
What constitutes artist success in the Australian music industries (2013)What constitutes artist success in the Au…Fans or friends?: Seeing social media audiences as musicians do (2012)Fans or friends?: Seeing soci…Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Cultural entrepreneurs, cultu…Rethinking the music industry (2007)Rethinking the music industryThe Role of Visual Identity in Music Perception (2023)The Role of Visual Identity i…Career reconstruction: mid-career transformations in the Australian music industries (2023)Career reconstruction: mid-ca…Bieg z przeszkodami. Ambiwalencje sukcesu artystycznego w poszerzonym polu kultury (2020)Bieg z przeszkodami. Ambiwale…Popular Music Education (2016)Popular Music EducationQualitative research and evaluation methods (1980)Economic Action and Social Structure: The Problem of Embeddedness (1985)Painting the full picture: The conversion of economic, cultural, social and symbolic capital (2015)Cultural entrepreneurship: from making culture to cultural making (2017)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Business Cycles: A Theoretical, Historical, and Statistical Analysis of the Capitalist Process (1940)Business Cycles: A Theoretical, Historical, and Statistical Analysis of the Capitalist Process (1940)Qualitative research and case study applications in education (1998)The Matthew Effect in Science (1968)The Matthew effect in science. The reward and communication systems of science are considered. (1968)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)A constant error in psychological ratings. (1920)‘Building Strong Brands’ (1996)InterViews: An introduction to qualitative research interviewing (1997)From Max Weber: Essays in Sociology (1946)The protean career: A quarter-century journey (2004)Psychological success: When the career is a calling (2005)‘Getting back to my old self’: women and gender non-conforming people restarting DIY careers in music (2025)Civic Crowdfunding: Participatory Communities, Entrepreneurs and the Political Economy of Place (2014)Tracing Textual Poachers: Reflections on the development of fan studies and digital fandom (2014)Investigating consumers’ online social shopping intention: An information processing perspective (2020)
this work references cited by second hop

References

  • 2012Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals297 cited
  • 2007Rethinking the music industry261 cited
  • 2012Fans or friends?: Seeing social media audiences as musicians do36 cited

Cited by

  • 2023Career reconstruction: mid-career transformations in the Australian music industries6 cited
  • 2023The Role of Visual Identity in Music Perception4 cited
  • 2016Popular Music Education3 cited
  • 2020Bieg z przeszkodami. Ambiwalencje sukcesu artystycznego w poszerzonym polu kultury3 cited

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