“They are all Turks, but very very nice”: Re-placing contemporary artists of Turkish origin

Abstract

Contemporary visual artists from Turkey, who have left their ‘home’ for various reasons, such as migration or education, have emerged as a distinctive voice on the contemporary European art scene. What makes these artists pertinent for an analysis of new forms of identity and citizenship making, and the negotiation of belonging and mobility in contemporary Europe is that their art presents the sheer diversity of artistic approaches that address, incorporate, and fold cultural interaction as well as confrontation with the identitary and cultural ‘container’ that is Western Europe. This paper will focus on three cases, Nevin Aladağ, Anny and Sibel Öztürk, and Nilbar Güreş, querying whether and how their artistic gaze can provide critical insight into the diverse possibilities of relations between Turkey and Western Europe. Using their works as laboratories or ‘snap shots’ of identity negotiations, this paper will query how mobility and transnational encounters shape artistic production, and how, in turn, such transnational and intercultural works can shed new light on the making of contemporary European identities ‘beyond borders’ that integrates Turkey through art.

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