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Swindle, Rude Boys, Highschool: Über drei zeitgenössische filmische Kontextualisierungen von Punk
8 references·0 citing·19 second hop
Swindle, Rude Boys, Highschool: Über drei zeitgenössische filmische Kontextualisierungen von Punk (2016)Swindle, Rude Boys, Highschool: Über drei…Sabine Mecking / Yvonne Wasserloos (Hrsg.), Musik – Macht – Staat. Kulturelle, soziale und politische Wandlungsprozesse in der Moderne. Göttingen, V & R unipress 2012 (2015)Sabine Mecking / Yvonne Wasse…A Nation of Outsiders: How the White Middle-Class Fell in Love with Rebellion in Postwar America (2011)A Nation of Outsiders: How th…Punk Rock: An Oral History (2007)Punk Rock: An Oral HistoryPASSION IS A FASHION: The Real Story of the Clash (2005)PASSION IS A FASHION: The Rea…Passion Is a Fashion: The Real Story of the Clash (2004)Passion Is a Fashion: The Rea…In the Fascist Bathroom: Punk in Pop Music, 1977-1992 (1999)In the Fascist Bathroom: Punk…Non lieux [Auge M. (1992). Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil.] (1993)Non lieux [Auge M. (1992). No…1988: The New Wave Punk Rock Explosion (1977)1988: The New Wave Punk Rock …The Commodification of Spectacle: Spectators, Sponsors and the Outlaw Biker Diegesis at Sturgis (2014)Criminal justice in the middlebrow imagination: The punitive dimensions of Making a Murderer (2019)Race, Sexuality, and the 1920s Stage Model (2019)Servicescapes (1999)Identity and community—Reflections on the development of mining heritage tourism in Southern Spain (2006)Place Attachment in Commercial Settings: A Gift Economy Perspective (2013)A Critical Theory and Postmodernist approach to the teaching of accounting theory (2007)“This is England”: Punk rock’s realist/idealist dialectic and its implications for critical accounting education (2008)A Cohesive Shambles: The Clash's 'London Calling' and the Normalization of Punk (2011)Art versus technology: the strange case of popular music (1986)Is there rock after punk? (1986)Pretty Connected (2008)To Hell and Back: Excessive Drug Use, Addiction, and the Process of Recovery in Mainstream Rock Autobiographies (2012)The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture (2013)Organizations, institutions and networks in local scenes: The growth of San Francisco Bay Area punk rock (2019)“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock (2013)Hearing punk as blues (2014)Living the Punk Life in Green Bay, Wisconsin: Exploring Contradiction in the Music of NOFX (2010)‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978 (2018)
this work references cited by second hop

References

  • 1993Non lieux [Auge M. (1992). Non-lieux, Introduction à une anthropologie de la surmodernité. Paris : Seuil.]208 cited
  • 2011A Nation of Outsiders: How the White Middle-Class Fell in Love with Rebellion in Postwar America52 cited
  • 19771988: The New Wave Punk Rock Explosion35 cited
  • 1999In the Fascist Bathroom: Punk in Pop Music, 1977-199228 cited
  • 2007Punk Rock: An Oral History27 cited
  • 2004Passion Is a Fashion: The Real Story of the Clash15 cited
  • 2005PASSION IS A FASHION: The Real Story of the Clash14 cited
  • 2015Sabine Mecking / Yvonne Wasserloos (Hrsg.), Musik – Macht – Staat. Kulturelle, soziale und politische Wandlungsprozesse in der Moderne. Göttingen, V & R unipress 20125 cited

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