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Photographs of Sculpture: Greek Slave’s ‘complex polyphony’, 1847–77
8 references·1 citing·22 second hop
Photographs of Sculpture: Greek Slave’s ‘complex polyphony’, 1847–77 (2016)Photographs of Sculpture: Greek Slave’s ‘…Encyclopedia of Nineteenth-Century Photography (2008)Encyclopedia of Nineteenth-Ce…The Ethics of Making: Craft and English Sculptural Aesthetics c. 1851-1900 (2004)The Ethics of Making: Craft a…Oxford Dictionary of National Biography (2004)Oxford Dictionary of National…The Great Exhibition of 1851 : new interdisciplinary essays (2001)The Great Exhibition of 1851 …Parallel lines : printmakers, painters and photographers in nineteenth-century France (2001)Parallel lines : printmakers,…Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (1998)Scenes in a Library: Reading …The Artist, the Writer, and the Queen: Hosmer, Jameson, and "Zenobia" (1983)The Artist, the Writer, and t…Taste and the Antique. The Lure of Classical Sculpture (1500 1900) (1981)Taste and the Antique. The Lu…The Sculptural in the (Post-)Digital Age (2023)The Sculptural in the (Post-)…The archaeology of knowledge (1973)La condition postmoderne : Rapport sur le savoir (1979)Communicative and Cultural Memory (2008)The "Colportage Phenomenon of Space" and the Place of Montage in The Arcades Project (2006)Grid Games: Gertrude Stein’s Diagrams and Detectives (2008)Circulation and Control (2021)De Meyer atVogue: Commercializing Queer Affect in First World War-era Fashion Photography (2009)“Un souvenir de los paisajes submarinos”: la fotografía subacuática y los límites de la visibilidad fotográfica, 1890-1910 (2014)Highly Photosensitive Daguerreotypes and their Reproduction: Physico‐chemical Elucidation of Innovative Processes in Photography Developed around 1840 in Vienna (2019)Pragmatics of Taste (2007)On the discrepancy between objects and things: An ecological approach (2016)Gender, Identity and the Body in Greek and Roman Sculpture (2018)Blazing Angels or Resident Evil? Can Violent Video Games be a Force for Good? (2010)The diffusion of language change in real time: Progressive and conservative individuals and the time depth of change (2011)Deciphering death: a commentary on Gompertz (1825) ‘On the nature of the function expressive of the law of human mortality, and on a new mode of determining the value of life contingencies’ (2015)Women and the Modelling of Victorian Sculptural Discourse (2017)The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture (2011)Photographing Objects as Queer Archival Practice (2014)The buried life of things: how objects made history in nineteenth-century Britain (2015)Cyclical Clusters in Global Circuits: Overlapping Spaces in Furniture Trade Fairs (2008)Adventures in the Archives: Two Literary Critics in Pursuit of a Victorian Subject (2010)Staging the nation at expos and world's fairs (2012)
this work references cited by second hop

References

  • 2004Oxford Dictionary of National Biography3,997 cited
  • 1981Taste and the Antique. The Lure of Classical Sculpture (1500 1900)213 cited
  • 1998Scenes in a Library: Reading the Photograph in the Book, 1843-1875101 cited
  • 2001The Great Exhibition of 1851 : new interdisciplinary essays84 cited
  • 2008Encyclopedia of Nineteenth-Century Photography81 cited
  • 2001Parallel lines : printmakers, painters and photographers in nineteenth-century France74 cited
  • 1983The Artist, the Writer, and the Queen: Hosmer, Jameson, and "Zenobia"21 cited
  • 2004The Ethics of Making: Craft and English Sculptural Aesthetics c. 1851-19004 cited

Cited by

  • 2023The Sculptural in the (Post-)Digital Age7 cited

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