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On a Certain Tendency in Economic Criticism of Shakespeare
15 references·0 citing·28 second hop
On a Certain Tendency in Economic Criticism of Shakespeare (2003)On a Certain Tendency in Economic Critici…The Business of Playing (2020)The Business of PlayingThe New Economic Criticism (2005)The New Economic Criticism:Historicism, Psychoanalysis, and Early Modern Culture (2001):Historicism, Psychoanalysis,…The New New Historicism’s Wunderkammer of Objects (2000)The New New Historicism’s Wun…The Globe and "Henry V" as Business Document (2000)The Globe and "Henry V" as Bu…Theatre, Finance and Society in Early Modern England (1999)Theatre, Finance and Society …Shakespearean Pragmatism: Market of His Time. (1994)Shakespearean Pragmatism: Mar…The business of playing: the beginnings of the adult professional theater in Elizabethan London (1993)The business of playing: the …Marlowe, Shakespeare, and the Economy of Theatrical Experience. (1992)Marlowe, Shakespeare, and the…Drama and the Market in the Age of Shakespeare (1992)Drama and the Market in the A…The Poetics of Primitive Accumulation (1991)The Poetics of Primitive Accu…Gift Exchange and the Economies of Spirit in "The Merchant of Venice" (1986)Gift Exchange and the Economi…The Economics of the Imagination (1982)The Economics of the Imaginat…Money, Language, and Thought: Literary and Philosophic Economies from the Medieval to the Modern Era (1982)Money, Language, and Thought:…Money, Language, and Thought (1982)Money, Language, and ThoughtEnglish Epicures and Scottish Witches (2006)Protestantism and Drama in Early Modern England (2009)Shakespeare and Memory (2012)The sacred meanings of money (1990)Repressed futures: financial derivatives' theological unconscious (2002)Common cents: situating money in time and place (2005)Thinking with Ngangas: Reflections on Embodiment and the Limits of “Objectively Necessary Appearances” (2006)The Romantic Economist: Imagination in Economics (2009)Wordsworth, Commodification, and Social Concern (2009)Environmental Crises and the Metabolic Rift in World-Historical Perspective (2000)Elizabethan Rhetoric (2002)Elizabethan rhetoric: theory and practice (2003)Alternative Shakespeares (2003)Alternative Shakespeares (2007)Work and Play on the Shakespearean Stage (2008)Early Modern Collaboration and Theories of Authorship (2001)Shakespeare and the Force of Modern Performance (2003)The Cambridge History of Early Modern English Literature (2003)Money and the Early Greek Mind (2004)Money as tool, money as drug: The biological psychology of a strong incentive (2006)The Anthropology of Money (2006)Literature and London (2003)Widows and Suitors in Early Modern English Comedy (2004)Manuscript transmission and circulation (2003)The Face of Mammon (2012)Winning the Culture Game: Prizes, Awards, and the Rules of Art (2002)Writing about Finance in Victorian England: Disclosure and Secrecy in the Culture of Investment (2002)Toward a Critical Theory of Untidy Geographies: The Spatiality of Emotions in Consumption and Production (2004)
this work references cited by second hop

References

  • 1991The Poetics of Primitive Accumulation338 cited
  • 1982Money, Language, and Thought222 cited
  • 1992Drama and the Market in the Age of Shakespeare218 cited
  • 2005The New Economic Criticism155 cited
  • 1982Money, Language, and Thought: Literary and Philosophic Economies from the Medieval to the Modern Era153 cited
  • 1994Shakespearean Pragmatism: Market of His Time.145 cited
  • 2020The Business of Playing137 cited
  • 1999Theatre, Finance and Society in Early Modern England122 cited
  • 1982The Economics of the Imagination89 cited
  • 2001:Historicism, Psychoanalysis, and Early Modern Culture70 cited
  • 1993The business of playing: the beginnings of the adult professional theater in Elizabethan London45 cited
  • 1986Gift Exchange and the Economies of Spirit in "The Merchant of Venice"44 cited
  • 2000The New New Historicism’s Wunderkammer of Objects38 cited
  • 2000The Globe and "Henry V" as Business Document25 cited
  • 1992Marlowe, Shakespeare, and the Economy of Theatrical Experience.8 cited

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