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Why did Handel Borrow?
11 references·0 citing·29 second hop
Why did Handel Borrow? (1987)Why did Handel Borrow?Der vollkommene Capellmeister (2025)Der vollkommene CapellmeisterMemoirs of the Life of the late George Frederic Handel (2015)Memoirs of the Life of the la…Substance of Several Courses of Lectures on Music (2014)Substance of Several Courses …Anecdotes of George Frederick Handel, and John Christopher Smith (2014)Anecdotes of George Frederick…Der Generalbass in der Komposition (1994)Der Generalbass in der Kompos…Grundlage einer Ehrenpforte (1969)Grundlage einer EhrenpforteOn Playing the Flute (1966)On Playing the FluteA Lesser Secret of J. S. Bach Uncovered (1961)A Lesser Secret of J. S. Bach…Handel's Dramatic Oratorios and Masques (1959)Handel's Dramatic Oratorios a…Handel's Dramatic Oratorios and Masques (1959)Handel's Dramatic Oratorios a…Substance of several courses of lectures on music read in the University of Oxford and in the metropolis (1831)Substance of several courses …The 'Bach Reader' (1947)Versuch Einer Anweisung die Flote Traversiere Zu Spielen (1993)Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) (1999)A General History of the Science and Practice of Music (2011)Musical Authorship from Schütz to Bach (2019)Bach: A Musical Biography (2001)Handel the Investor (2004)The Politics of Handel's Early London Operas, 1711–1718 (2005)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View (1995)Beggar at the Door: The Rise and Fall of Portamento in Singing (2006)Imagining Methodism in Eighteenth-Century Britain: Enthusiasm, Belief, and the Borders of the Self (2012)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Bach, Handel and Scarlatti (2022)Robert Boyle's epistemology: The interaction between scientific and religious knowledge1 (1992)From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber (2015)Stop the Press? The Changing Media of Music Criticism (2019)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Music as Discourse (2008)Handel and his Central German Background (1987)Handel Manuscripts and the Profits of Slavery: The "Granville" Collection at the British Library and the First Performing Score of Messiah Reconsidered (2019)The Mechanisms of the Music Trade in Central Germany, 1600–40 (2005)Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women (2013)Rethinking Brahms (2022)Performance practice of recitativo secco in the first half of the 18th century (2005)Music Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology (2010)The Problem of the Retrieval of Musical Knowledge (2013)
this work references cited by second hop

References

  • 2025Der vollkommene Capellmeister319 cited
  • 1959Handel's Dramatic Oratorios and Masques85 cited
  • 1966On Playing the Flute78 cited
  • 1969Grundlage einer Ehrenpforte70 cited
  • 1959Handel's Dramatic Oratorios and Masques30 cited
  • 2015Memoirs of the Life of the late George Frederic Handel30 cited
  • 1961A Lesser Secret of J. S. Bach Uncovered14 cited
  • 2014Anecdotes of George Frederick Handel, and John Christopher Smith14 cited
  • 1994Der Generalbass in der Komposition11 cited
  • 1831Substance of several courses of lectures on music read in the University of Oxford and in the metropolis8 cited
  • 2014Substance of Several Courses of Lectures on Music6 cited

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