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Postmodern Concepts of Musical Time
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Cited by

  • 2011Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres18 cited
  • 2006C o‐operating C ontinuities in the M usic of T homas A dès12 cited
  • 2002Rhythm in twentieth-century theory9 cited
  • 2009Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33»8 cited
  • 2009A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”7 cited
  • 2019Time Models in Myth and Music of the 20th Century5 cited
  • 2020(Per)forming Open Form: A Case Study with Earle Brown’s Novara3 cited
  • 2016Contesting Meanings in the Postmodern Age3 cited
  • 2023Postmodern Accents in the Works of Ukrainian Composers of the Late XX Century2 cited

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