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Cutting through Abundance: Raf Simons and the Artful Slice
6 references·1 citing·27 second hop
Cutting through Abundance: Raf Simons and the Artful Slice (2015)Cutting through Abundance: Raf Simons and…Restructuring Plans for the Textile and Clothing Sector in Post-industrial Belgium and Spain (2011)Restructuring Plans for the T…Dior: A New Look, A New Enterprise (1947–1957) (2010)Dior: A New Look, A New Enter…The arcades project (2000)The arcades projectDeconstruction Fashion: The Making of Unfinished, Decomposing and Re-assembled Clothes (1998)Deconstruction Fashion: The M…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005) (2021)Masculinity, Identity and Bod…Outline of a Theory of Practice (1977)The Truth in Painting (1987)Fashion, Culture, and Identity (1992)Wear:Where? The Convergent Geographies of Architecture and Fashion (2010)Art seen from outside: Non-artistic legitimation within the field of fashion design (2014)The Poetics of Waste: Contemporary Fashion Practice in the Context of Wastefulness (2016)The Coming of the Post-Industrial Society (1976)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Perspectives on 10 Years of Fashion Practice (2018)Place-Making the Local to Reach the Global: A Case Study of Pre-Helsinki (2018)Situando a Madrid en el mapa (1963–1976): el papel de las “Madrid Editors” de Harper's Bazaar y Vogue en la definición de una nueva capital de la moda (2020)Suicide: A Study in Sociology. (1951)Of Other Spaces (1986)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Supporters, Followers, Fans, and Flaneurs (2002)Towards a Politics of Mobility (2010)The Politics and Poetics of Infrastructure (2013)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Trends in the Fashion Business: Spain and Italy in Comparison, 1973–2013 (2019)Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s (2021)Fashion, Industry and Diplomacy: Reframing Couture–Textile Relations in France, 1950s–1960s (2021)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 2000The arcades project1,952 cited
  • 1998Deconstruction Fashion: The Making of Unfinished, Decomposing and Re-assembled Clothes64 cited
  • 2010Dior: A New Look, A New Enterprise (1947–1957)14 cited
  • 2011Restructuring Plans for the Textile and Clothing Sector in Post-industrial Belgium and Spain9 cited

Cited by

  • 2021Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)2 cited

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