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Cited by

• 2006Beautiful, Borrowed, and Bent: “Boys’ Love” as Girls’ Love inShôjo Manga103 cited
• 2004The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood46 cited
• 2015The Cambridge History of Japanese Literature29 cited
• 2008Girls Return Home: Portrayal of Femininity in Popular Japanese Girls’ Manga and Anime Texts during the 1990s inHana yori DangoandFruits Basket18 cited
• 2015The rise of haikai: Matsuo Bashō, Yosa Buson, and Kobayashi Issa14 cited
• 2015Translation, vernacular style, and the Westernesque femme fatale in modern Japanese literature13 cited
• 2013Enlightenment Geisha: The Sex Trade, Education, and Feminine Ideals in Early Meiji Japan13 cited
• 2009Performing Gender at the Beginning of Modern Chinese Theatre7 cited
• 2015The Tales of the Heike7 cited
• 2008America's Kabuki -Japan, 1952–1960: Image Building, Myth Making, and Cultural Exchange6 cited
• 2013Good women for empire: educating overseas female emigrants in imperial Japan, 1900–456 cited
• 2006Thoughts on Hermaphroditism: Miyatake Gaikotsu and the Convergence of the Sexes in Taishō Japan5 cited
• 2010GENDER, CITIZENSHIP AND DRESS IN MODERNIZING JAPAN5 cited
• 2017Between Race and Culture: Hearing Japanese Music in Berlin