SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Big Seduction: Feminist Film Criticism and the Femme Fatale
16 references·0 citing·31 second hop
The Big Seduction: Feminist Film Criticism and the Femme Fatale (2010)The Big Seduction: Feminist Film Criticis…Narration in the Fiction Film (2013)Narration in the Fiction FilmThe Aftermath of Feminism: Gender, Culture and Social Change (2008)The Aftermath of Feminism: Ge…Interrogating Postfeminism (2007)Interrogating PostfeminismFilm Noir: From Berlin to Sin City (2006)Film Noir: From Berlin to Sin…The Erotic Thriller in Contemporary Cinema (2005)The Erotic Thriller in Contem…Genre and Hollywood (2005)Genre and HollywoodFeminism, Postfeminism, Martha, Martha, and Nigella (2005)Feminism, Postfeminism, Marth…Boom and bust: the American cinema in the 1940s (1998)Boom and bust: the American c…A woman's view: how Hollywood spoke to women, 1930-1960 (1994)A woman's view: how Hollywood…Film theory goes to the movies (1993)Film theory goes to the moviesBacklash: The Undeclared War against Women (1993)Backlash: The Undeclared War …In a lonely street: film noir, genre, masculinity (1992)In a lonely street: film noir…Narration in the Fiction Film (1986)Narration in the Fiction FilmVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Imaginary Signifier (1975)The Imaginary SignifierIdeological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…The Practice of Social Research (1989)Backlash: The Undeclared War Against American Women (1991)Reading the romance (2002)Body Projects and the Regulation of Normative Masculinity (2005)Culture and Subjectivity in Neoliberal and Postfeminist Times (2008)Disentangling and Locating the “Global Right”: Anti-Gender Campaigns in Europe (2018)Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Disappearing Acts: Reclaiming Intersectionality in the Social Sciences in a Post-Black Feminist Era (2012)Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers (2014)Role Models and Women Entrepreneurs: Entrepreneurial Superwoman Has Her Say (2018)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)INTERSECTIONALITY UNDONE (2013)The Rise of Neoliberal Feminism (2013)Post-postfeminism?: new feminist visibilities in postfeminist times (2016)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)New Vocabularies in Film Semiotics (2005)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Moving image theory: ecological considerations (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Moving Pictures (1999)But We're Men Aren't We! (2007)The Cambridge Companion to Film Music (2016)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2008The Aftermath of Feminism: Gender, Culture and Social Change2,826 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1993Backlash: The Undeclared War against Women773 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 2007Interrogating Postfeminism495 cited
  • 2005Genre and Hollywood305 cited
  • 1992In a lonely street: film noir, genre, masculinity291 cited
  • 1975The Imaginary Signifier279 cited
  • 1993Film theory goes to the movies238 cited
  • 1998Boom and bust: the American cinema in the 1940s214 cited
  • 2005The Erotic Thriller in Contemporary Cinema155 cited
  • 1994A woman's view: how Hollywood spoke to women, 1930-1960153 cited
  • 2005Feminism, Postfeminism, Martha, Martha, and Nigella103 cited
  • 2006Film Noir: From Berlin to Sin City76 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work