Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

The polyphonic mass in the fifteenth century

16 references·0 citing·28 second hop

FromToDepth

this work references cited by second hop

References

1994The Stripping of the Altars: Traditional Religion in England, c. 1400-c. 1580.282 cited
1986Music in Late Medieval Bruges159 cited
2011The cultural life of the early polyphonic Mass: medieval context to modern revival144 cited
1988Guillaume Du Fay's benefices and his relationship to the court of Burgundy118 cited
2002The maze and the warrior: symbols in architecture, theology, and music99 cited
1948The English Clergy and Their Organization in the Later Middle Ages96 cited
2013Ritual meanings in the fifteenth-century motet92 cited
1998Allegorical Play in the Old French Motet. The Sacred and the Profane in Thirteenth-Century Polyphony83 cited
2018Studies in Medieval and Renaissance Music64 cited
2006The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet55 cited
1986Antoine Busnoys and the L'Homme armé Tradition43 cited
1991Petrus de Domarto'sMissa Spiritus almusand the early history of the four-voice mass in the fifteenth century41 cited
1985Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece36 cited
1993The rise of European music, 1380-150033 cited
1990ANOTHER MASS BY BUSNOYS?

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

32 cited

2010The Man with the Pale Face, the Shroud, and Du Fay's Missa Se la face ay pale24 cited

Cited by

No citing works inside the corpus for this window.