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This essay reads Anne Carson’s Nox as a work of therapeutic biography. An analysis of Carson’s iterative translation of Catullus’s poem 101, and her visual and textual strategies of fragmentation, bring the author’s search to understand her estranged brother into complex relation with an ethos of mystery and lament.
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Stored only when both papers are in the corpus — 33 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.