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The ‘local’ and ‘global’ in popular music
0 references·15 citing·38 second hop
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  • 2010Tune in, fade out: Music companies and the classification of domestic music products in the Netherlands34 cited
  • 2010Ethnomusicology and the Music Industries: An Overview31 cited
  • 2009World Music and the Global Music Industry: Flows, Corporations and Networks19 cited
  • 2020Cuban Music Is African Music14 cited
  • 2007Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era13 cited
  • 2020World Music and the Black Atlantic10 cited
  • 2016Musical discovery, colonialism, and the possibilities of intercultural communication through music8 cited
  • 2008Affecting the Embargo: Displacing Politics in theBuena Vista Social Club6 cited
  • 2009The Sydney Dance Music Scene and the Global Diffusion of Contemporary Club Culture6 cited
  • 2022Translocal art worlds. Mobilities, routes, and conventions5 cited
  • 2010Pathways from global education understandings to teaching music5 cited
  • 2015Introduction: Setting Popular Music in Motion4 cited
  • 2005Orientalism and Hyperreality in "Desert Rose"4 cited
  • 2014The Participation of Flaco Jiménez on Ry Cooder’sChicken Skin Music: Cross-Cultural Collaboration and the (Inter)national Discovery of Texas-Mexican Accordion Music

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3 cited
  • 2022Local Music Collectors in Cultural Heritage Organizations: Finding Joy through Occupational Devotion2 cited