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“Feel Good” with Gorillaz and “Reject False Icons”
0 references·3 citing·9 second hop
“Feel Good” with Gorillaz and “Reject False Icons” (2016)“Feel Good” with Gorillaz and “Reject Fal…Gorillaz y la hibridación mediática en la música popular contemporánea: redefinir los límites del storytelling a través de la construcción de imaginarios (2025)Gorillaz y la hibridación med…Love in Imagination: A Comparative Analysis Between Chinese K-pop Fans and Esports Fans Regarding Their Parasocial Interaction and Relationship Towards the Virtual Idol Group K/DA (2023)Love in Imagination: A Compar…‘Everybody Wants to Be My Enemy’: Popular Music and Transmediality in Arcane (2023)‘Everybody Wants to Be My Ene…An Eye for MusicPopular Music and the Audiovisual Surreal (2011)Marketing and materiality in the popular music transmedia of Gorillaz’ Plastic Beach (2017)Narraciones transmedia, música y videojuegos: (2019)Mass Communication and Para-Social Interaction (1956)Machines and Mindlessness: Social Responses to Computers (2000)What video games have to teach us about learning and literacy (2003)When consumers and brands talk: Storytelling theory and research in psychology and marketing (2008)Is music becoming more visual? Online video content in the music industry (2011)The Platform Society (2018)
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  • 2023Love in Imagination: A Comparative Analysis Between Chinese K-pop Fans and Esports Fans Regarding Their Parasocial Interaction and Relationship Towards the Virtual Idol Group K/DA3 cited
  • 2023‘Everybody Wants to Be My Enemy’: Popular Music and Transmediality in Arcane1 cited
  • 2025Gorillaz y la hibridación mediática en la música popular contemporánea: redefinir los límites del storytelling a través de la construcción de imaginarios1 cited

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