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Women’s Souls: The Duchess of Malfi and ‘Tis Pity She’s a Whore
12 references·0 citing·27 second hop
Women’s Souls: The Duchess of Malfi and ‘Tis Pity She’s a Whore (2002)Women’s Souls: The Duchess of Malfi and ‘…Eroticism on the Renaissance stage: transcendence, desire, and the limits of the visible (1999)Eroticism on the Renaissance …“Physicians are like Kings”: Medical Politics and The Duchess of Malfi (1998)“Physicians are like Kings”: …Siena, Florence, and Padua : art, society, and religion 1280-1400 (1995)Siena, Florence, and Padua : …John Ford's political theatre (1995)John Ford's political theatreConfession: Sexuality, Sin, the Subject (1993)Confession: Sexuality, Sin, t…The idea of conscience in Renaissance tragedy (1990)The idea of conscience in Ren…Structure and History in The Broken Heart: Sparta, England, and the “Truth” (1988)Structure and History in The …John Ford and the Caroline Theatre (1979)John Ford and the Caroline Th…The Poetics of Jacobean Drama (1969)The Poetics of Jacobean DramaJohn Ford and the Drama of His Time (1958)John Ford and the Drama of Hi…Burtonian melancholy in the plays of John Ford (1940)Burtonian melancholy in the p…Advancement of learning, and The new Atlantis (1913)Advancement of learning, and …Melancholy and the Elizabethan Man of Letters (1941)Recent Literature of the Renaissance (1949)The anatomy of melancholyand Richard Whitlock'sZootomia (1969)Feeling Criminal in Macbeth (2012)Performing Disability and Theorizing Deformity (2013)Shakespeare, Caravaggio, and the Indistinct Regard (2017)Children of the Queen's Revels (2005)Shakespeare and World Cinema (2012)Shakespeare's Domestic Tragedies (2019)Touching Touchets: Perkin Warbeck and the Buggery Statute (1999)Staging Passion in Ford's The Lover's Melancholy (2005)The Politics of Love: The Broken Heart in the Caroline Context (2015)Persius' Didactic Satire: The Pupil as Teacher (1991)The Power of Community Mediation: Government and Formation of Self-Identity (1996)Neither Saints Nor Sinners (2003)The Unforgotten: Memories of Justice (2001)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)‘What Strange Riddle’s This?’: Deciphering ’Tis Pity She’s a Whore (2001)The Cambridge Companion to Shakespeare and Contemporary Dramatists (2012)Irregular Unions (2021)Desire and dramatic form in early modern England (2009)Protestantism and Drama in Early Modern England (2009)Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s Henry VIII (2018)Artists as scientists: nature and realism in early modern Europe (2000)Elections of Abbesses and Notions of Identity in Fifteenth- and Sixteenth-Century Italy, with Special Reference to Venice (2001)Siena on the Silk Roads: Ambrogio Lorenzetti and the Mongol Global Century, 1250–1350 (2010)
this work references cited by second hop

References

  • 1913Advancement of learning, and The new Atlantis313 cited
  • 1979John Ford and the Caroline Theatre78 cited
  • 1993Confession: Sexuality, Sin, the Subject76 cited
  • 1999Eroticism on the Renaissance stage: transcendence, desire, and the limits of the visible66 cited
  • 1995John Ford's political theatre60 cited
  • 1995Siena, Florence, and Padua : art, society, and religion 1280-140032 cited
  • 1990The idea of conscience in Renaissance tragedy31 cited
  • 1958John Ford and the Drama of His Time16 cited
  • 1940Burtonian melancholy in the plays of John Ford11 cited
  • 1988Structure and History in The Broken Heart: Sparta, England, and the “Truth”10 cited
  • 1998“Physicians are like Kings”: Medical Politics and The Duchess of Malfi9 cited
  • 1969The Poetics of Jacobean Drama9 cited

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