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Sound unseen: acousmatic sound in theory and practice
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Cited by

  • 2015Sound studies without auditory culture: a critique of the ontological turn187 cited
  • 2017The Mortal Voice in the Tragedies of Aeschylus114 cited
  • 2018Sounds of Democracy: Performance, Protest, and Political Subjectivity114 cited
  • 2018Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World71 cited
  • 2019Enacting Musical Time68 cited
  • 2017World Building. Transmedia, Fans, Industries41 cited
  • 2017Learning the Studio: Sketches for Mid-Century Electronic Music20 cited
  • 2019McKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio15 cited
  • 2024Seeing Voices10 cited
  • 2016Listening to female voices in Sikhkirtan7 cited
  • 2018Music’s Stubborn Enchantments (and Music Theory’s)7 cited
  • 2015Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film7 cited
  • 2021Brought to Life by the Voice: Playback Singing and Cultural Politics in South India7 cited
  • 2018The Matter of Timbre5 cited
  • 2018Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse

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4 cited
  • 2017Antipsychologism in Interwar Musical Thought: Two Ways of Hearing Debussy4 cited