SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
‘Our Soviet Americanism’:Jolly Fellows, Music, and Early Soviet Cultural Ideology
16 references·1 citing·28 second hop
‘Our Soviet Americanism’:Jolly Fellows, Music, and Early Soviet Cultural Ideology (2016)‘Our Soviet Americanism’:Jolly Fellows, M…Moscow, the fourth Rome: Stalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941 (2012)Moscow, the fourth Rome: Stal…Essays on Music (2002)Essays on MusicEisenstein at 100: a reconsideration (2002)Eisenstein at 100: a reconsid…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Cinema and Soviet Society from the Revolution to the Death of Stalin (2001)Cinema and Soviet Society fro…Everyday Stalinism: ordinary life in extraordinary times: Soviet Russia in the 1930s (1999)Everyday Stalinism: ordinary …Everyday Stalinism (1999)Everyday StalinismThe Eisenstein Reader (1998)The Eisenstein ReaderThe American Film Musical (1994)The American Film MusicalRussian Popular Culture: Entertainment and Society since 1900. (1994)Russian Popular Culture: Ente…Russian popular culture: entertainment and society since 1900 (1993)Russian popular culture: ente…Movies for the masses: popular cinema and Soviet society in the 1920s (1993)Movies for the masses: popula…The Hollywood Musical (1992)The Hollywood MusicalThe Film factory: Russian and Soviet cinema in documents (1988)The Film factory: Russian and…Source Readings in Music History (1952)Source Readings in Music Hist…Source Readings in Music History (1950)Source Readings in Music Hist…Prokofiev's Soviet Operas (2019)Prokofiev's Soviet OperasImage/Music/Voice: Song Dubbing in Hollywood Musicals (1995)The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin (2002)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)Moving The Masses: Emotion Work In The Chinese Revolution (2002)Allocation under Dictatorship: Research in Stalin's Archives (2005)What autocracies say (and what citizens hear): proposing four mechanisms of autocratic legitimation (2017)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Music Theory, Phenomenology, and Modes of Perception (1986)The End of Early Music (2007)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Sonic geography in a nature region (2005)The Case of Blackness (2009)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Aesthetics and subjectivity from Kant to Nietzsche (1991)The transmission of ancient music theory into the Middle Ages (2002)Aesthetics and subjectivity (2018)Russian piety and Orthodox culture 1380–1589 (2006)Buying In (2008)Who Is Afraid of the Chinese Modern Girl? (2008)Post-Socialist Housing Systems in Europe: Housing Welfare Regimes by Default? (2015)The Rule of Violence (2018)Literary Praxis Beyond the Melodramas of Commitment: Edward Upward, Soviet Aesthetics, and Leftist Self-Fashioning (2013)World Literature, Soviet Style: A Forgotten Episode in the History of the Idea (2013)Boy Meets Camera: Christopher Isherwood, Sergei Tretiakov, and the Queer Potential of the First Five-Year Plan (2015)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1999Everyday Stalinism470 cited
  • 1999Everyday Stalinism: ordinary life in extraordinary times: Soviet Russia in the 1930s314 cited
  • 1950Source Readings in Music History307 cited
  • 1994The American Film Musical212 cited
  • 2002Essays on Music206 cited
  • 1993Russian popular culture: entertainment and society since 1900191 cited
  • 1952Source Readings in Music History160 cited
  • 1992The Hollywood Musical151 cited
  • 2012Moscow, the fourth Rome: Stalinism, cosmopolitanism, and the evolution of Soviet culture, 1931-1941122 cited
  • 1988The Film factory: Russian and Soviet cinema in documents118 cited
  • 2001Cinema and Soviet Society from the Revolution to the Death of Stalin113 cited
  • 1994Russian Popular Culture: Entertainment and Society since 1900.109 cited
  • 1993Movies for the masses: popular cinema and Soviet society in the 1920s95 cited
  • 1998The Eisenstein Reader81 cited
  • 2002Eisenstein at 100: a reconsideration74 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2019Prokofiev's Soviet Operas6 cited