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The Performance of Creative Machines
16 references·1 citing·45 second hop
The Performance of Creative Machines (2016)The Performance of Creative MachinesConcepts of Creativity in Seventeenth-Century England (2013)Concepts of Creativity in Sev…The Standard Definition of Creativity (2012)The Standard Definition of Cr…Beyond New and Appropriate: Who Decides What Is Creative? (2012)Beyond New and Appropriate: W…A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)A Standardised Procedure for …Sublime dreams of living machines: the automaton in the European imagination (2011)Sublime dreams of living mach…Time, Non-representational Theory and the "Performative Turn"—Towards a New Methodology in Qualitative Social Research (2008)Time, Non-representational Th…The Artificial and the natural: an evolving polarity (2008)The Artificial and the natura…Gordon Pask: Cybernetic Polymath (2008)Gordon Pask: Cybernetic Polym…Ontological Theatre Gordon Pask, Cybernetics, and the Arts. (2007)Ontological Theatre Gordon Pa…Sensorium : embodied experience, technology, and contemporary art (2006)Sensorium : embodied experien…Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Posthumanist Performativity: …Eighteenth-Century Wetware (2003)Eighteenth-Century WetwareGordon Pask's Conversation Theory: A Domain Independent Constructivist Model of Human Knowing (2001)Gordon Pask's Conversation Th…The Sciences in Enlightened Europe (2000)The Sciences in Enlightened E…Human/Machine Reconsidered (1998)Human/Machine ReconsideredCybernetics, art, and ideas (1971)Cybernetics, art, and ideasDifference-in-relation: Diffracting human-robot encounters (2022)Difference-in-relation: Diffr…Plans and Situated Actions: The Problem of Human-Machine Communication (1990)We have never been modern (1994)Pandora's Hope: Essays on the Reality of Science Studies (2000)At Home with Someone Nonhuman (2004)Shadowing Software and Clinical Records: On the Ethnography of Non-Humans and Heterogeneous Contexts (2005)Machines, People, and Social Interaction in “Third-Wave” Coffeehouses (2014)The Order of Things: An Archaeology of the Human Sciences. (1971)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Gender Trouble: Feminism and the Subversion of Identity (1991)Materialist returns: practising cultural geography in and for a more-than-human world (2006)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)The sociomateriality of organisational life: considering technology in management research (2009)The Structure of Scientific Revolutions (1963)The Social Psychology of Creativity (1983)Creativity In Context: Update To The Social Psychology Of Creativity (1996)A MODEL OF ‘CREATIVE EXPERIENCE’ IN CREATIVE TOURISM (2013)Approaches to Measuring Creativity: A Systematic Literature Review (2017)A Dynamic Definition of Creativity (2019)Thought and language (1962)Experiential Learning : Experience as the Source of Learning and Development (1983)Conversation, Individuals and Concepts: Some Key Concepts in Gordon Pask's Interaction of Actors and Conversation Theories (2009)Mind, Self, and Society (2015)An Introduction to Design Cybernetics (2019)Creativity. (1950)Handbook of Personality : Theory and Research (1992)The Creative Mind (2004)Individual differences and age-related changes in divergent thinking in toddlers and preschoolers. (2014)Four PPPPerspectives on computational creativity in theory and in practice (2016)Explainability in supply chain operational risk management: A systematic literature review (2021)APA Dictionary of Psychology (2007)Intelligence, creativity, and cognitive control: The common and differential involvement of executive functions in intelligence and creativity (2014)Creative Cognition and Brain Network Dynamics (2015)Potential Originality and Effectiveness: The Dynamic Definition of Creativity (2016)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)Senses of place: architectural design for the multisensory mind (2020)The Beginnings of Computer Art in the United States: A Memoir (1994)Information Aesthetics: An heroic experiment (2012)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Natural History and the Pursuit of Empire in Eighteenth-Century Spain (2007)Engineering to help (2009)Introduction (2013)Are friends electric? The benefits and risks of human-robot relationships (2020)Enslaved Minds (2020)Introduction (2020)
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References

  • 2003Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter7,050 cited
  • 2012The Standard Definition of Creativity3,864 cited
  • 2012Beyond New and Appropriate: Who Decides What Is Creative?337 cited
  • 2006Sensorium : embodied experience, technology, and contemporary art234 cited
  • 2012A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative201 cited
  • 2000The Sciences in Enlightened Europe152 cited
  • 2011Sublime dreams of living machines: the automaton in the European imagination134 cited
  • 2001Gordon Pask's Conversation Theory: A Domain Independent Constructivist Model of Human Knowing96 cited
  • 1998Human/Machine Reconsidered92 cited
  • 1971Cybernetics, art, and ideas79 cited
  • 2008Time, Non-representational Theory and the "Performative Turn"—Towards a New Methodology in Qualitative Social Research75 cited
  • 2003Eighteenth-Century Wetware74 cited
  • 2008The Artificial and the natural: an evolving polarity67 cited
  • 2013Concepts of Creativity in Seventeenth-Century England41 cited
  • 2007Ontological Theatre Gordon Pask, Cybernetics, and the Arts.18 cited

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  • 2008Gordon Pask: Cybernetic Polymath12 cited
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    • 2022Difference-in-relation: Diffracting human-robot encounters7 cited