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Modernity's ear: listening to race and gender in world music
3 references·16 citing·30 second hop
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this work references cited by second hop

References

  • 1984Europe and the People without History3,799 cited
  • 1993Mimesis and alterity: a particular history of the senses3,316 cited
  • 1998Global Pop: World Music, World Markets402 cited

Cited by

  • 2017The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound71 cited
  • 2017Raga Rock: Popular Music and the Turn to the East in the 1960s31 cited
  • 2020Wireless Imaginations26 cited
  • 2021Ethnomusicology and the Meeting of Knowledges in Music21 cited
  • 2021Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone20 cited
  • 2021Ethnomusicological Praxis18 cited
  • 2021Engaged Activist Research18 cited
  • 2021Music for Global Human Development18 cited
  • 2021“How Is That Going to Help Anyone?”18 cited
  • 2021Sincerely Outspoken17 cited
  • 2021Race, Latinidad, and Latin Pop14 cited
  • 2017Singing through the Screen: Indian Idol and the Cultural Politics of Aspiration in Post-Liberalization India14 cited
  • 2021Ethical Friction

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13 cited
  • 2019Salsa’s Unruly Audition9 cited
  • 2017Sonic colour zones: Laura Boulton and the hunt for music9 cited
  • 2019Sounding Arabic: postvernacular modes of performing the Arabic language in popular music by Israeli Jews9 cited