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The Ontological Diversity of Visual Artworks
16 references·1 citing·26 second hop
The Ontological Diversity of Visual Artworks (2008)The Ontological Diversity of Visual Artwo…Art and its Objects (2015)Art and its ObjectsMuseums and the shaping of contemporary artworks (2006)Museums and the shaping of co…The Artist's Sanction in Contemporary Art (2005)The Artist's Sanction in Cont…Stanford encyclopedia of philosophy (2005)Stanford encyclopedia of phil…The Ontology of Art (2004)The Ontology of ArtArt as Performance (2004)Art as PerformanceArt as Performance (2003)Art as PerformanceMusical works and performances: a philosophical exploration (2002)Musical works and performance…Musical Works and Performances (2001)Musical Works and PerformancesMortality Immortality?: The Legacy Of 20th-Century Art (1999)Mortality Immortality?: The L…An Ontology of Art (1989)An Ontology of ArtAn ontology of art (1989)An ontology of artWorks and Worlds of Art. (1983)Works and Worlds of Art.The Transfiguration of the Commonplace, a Philosophy of Art (1981)The Transfiguration of the Co…What a Musical Work Is (1980)What a Musical Work IsOn Restoring and Reproducing Art (1978)On Restoring and Reproducing …Image in the Making (2021)Image in the MakingCategories of Art (1970)The Postulated Author: Critical Monism as a Regulative Ideal (1981)Forgery and the Corruption of Aesthetic Understanding (2007)Installation Art and Performance: A Shared Ontology (2013)Games (2020)The organizational construction of authenticity: An examination of contemporary food and dining in the U.S. (2009)All Play and No Work: An Ontology of Jazz (2011)Installation Art and the Museum (2013)The Routledge Companion to Aesthetics (2005)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)The Conceptual mind: new directions in the study of concepts (2016)Artworks as Historical Individuals (2003)X—Authors and Artifacts (1993)Truth, Fiction, and Literature (1996)Women in the medieval Islamic world: power, patronage, and piety (1998)Music Performance Research at the Millennium (2003)Art and Intention (2005)Authenticity (2018)How to have a radically minimal ontology (2009)Modeling Epistemic and Ontological Cognition: Philosophical Perspectives and Methodological Directions (2008)Treatment pressures, leverage, coercion, and compulsion in mental health care (2008)Belief, Credence, and Pragmatic Encroachment 1 (2012)On artifacts and works of art1 (1992)The Ontology of Art and Knowledge in Aesthetics (2005)Ordinary Objects (2007)Metaphysical Disputes and Metalinguistic Negotiation (2016)
this work references cited by second hop

References

  • 1981The Transfiguration of the Commonplace, a Philosophy of Art495 cited
  • 2015Art and its Objects434 cited
  • 2005Stanford encyclopedia of philosophy400 cited
  • 2001Musical Works and Performances332 cited
  • 2004Art as Performance309 cited
  • 1980What a Musical Work Is258 cited
  • 1989An Ontology of Art177 cited
  • 2002Musical works and performances: a philosophical exploration166 cited
  • 1983Works and Worlds of Art.164 cited
  • 2005The Artist's Sanction in Contemporary Art152 cited
  • 2004The Ontology of Art130 cited
  • 2003Art as Performance122 cited
  • 1989An ontology of art96 cited
  • 1978On Restoring and Reproducing Art90 cited
  • 2006Museums and the shaping of contemporary artworks38 cited
  • 1999Mortality Immortality?: The Legacy Of 20th-Century Art35 cited

Cited by

  • 2021Image in the Making5 cited

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