Making and Buying: Ben Jonson and the Commercial Theatre Audience

Kate McLuskie

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

In the second act of The Alchemist , Don Surly interrupts Sir Epicure Mammon’s exuberant celebration of the riches which the philosopher’s stone will bring him: Why, I have heard, he must be homo frugi A pious, holy, and religious man, One free from mortal sin, a very virgin. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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1986Worlds Apart 1992Drama and the Market in the Age of Shakespeare 1987The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes 1994Mastering the Revels: The Regulation and Censorship of English Renaissance Drama.1969The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes 1986“The Comedians' Liberty:” Censorship of the Jacobean Stage Reconsidered 2017Jacobean Private Theatre 1993Three Reluctant Patrons and Early Shakespeare

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