No open-access location is known for this record yet.
No open-access location is known for this record yet.
This chapter explores musical creativity as social agency. Using the activity of German composer Paul Hindemith (1895–1963) during periods of significant situational incongruity — World War I, Weimar Republic, early Third Reich — it explores how music is mobilized for social agency in self situation and social action. Central to this is a consideration of how music is involved in ‘connecting personal and social change’. Key concepts developed include: music as a resource for reflexive thinking to situate the self (particularly through counterfactual reasoning); music used to colonize the future; music as a resource and tool for managing and acting situational incongruity.
Loading…
Imported from OpenAlex (CC0) — nothing here is generated.