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The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting
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The Donkey Rider as Icon: Li Cheng and Early Chinese Landscape Painting (1995)The Donkey Rider as Icon: Li Cheng and Ea…Animals and Human Society in Asia: An Overview and Premises (2019)Animals and Human Society in …Path, place, and pace in mid-Ming Suzhou landscape painting (2017)Path, place, and pace in mid-…Landscape (2015)LandscapeRecovering the Substantive Nature of Landscape (1996)Bindings against Boundaries: Entanglements of Life in an Open World (2008)Guns, Germs, and Steel: The Fates of Human Societies. (1997)The horse, the wheel, and language: how Bronze-Age riders from the Eurasian steppes shaped the modern world (2008)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)The Birth of Landscape Painting in China (1962)The World around the Chinese Artist (1989)Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin (1998)
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  • 2017Path, place, and pace in mid-Ming Suzhou landscape painting3 cited
  • 2019Animals and Human Society in Asia: An Overview and Premises3 cited
  • 2015Landscape2 cited

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