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The frames of comic ‘freedom’
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  • 2001D'Oh78 cited
  • 2008Comedy in Unfunny Times: News Parody and Carnival After 9/1163 cited
  • 2012Profaning the sacred in leadership studies: a reading of Murakami’s A Wild Sheep Chase47 cited
  • 2007A Very Modern Ghost: Postcolonialism and the Politics of Enchantment41 cited
  • 1992Argentinian football: a ritual of violence?34 cited
  • 2002Coffee and the Business of Pleasure: The Case of Harbucks vs. Mr. Tweek33 cited
  • 2004Beyond a Joke: Nietzsche and the Birth of "Super-Laughter"30 cited
  • 1996Bakhtin's Carnival Laughter and the Cajun Country Mardi Gras26 cited
  • 2007“The Man for His Time”The Big Lebowskias Carnivalesque Social Critique22 cited
  • 1989The eve of de‐struction: Charlotte Perkins Gilman and the feminist recreation of paradise20 cited
  • 2010The implications of Carnival theory for interpreting drama pedagogy18 cited
  • 1990Ritual Drama and Moral Order: Interpreting the Gods' Festival Troupes of Southern Taiwan14 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 2012‘If we cannot laugh like that, then how can we laugh?’: The ‘problem’ of Stalinist film comedy7 cited

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  • 2004The comic mode6 cited
  • 2018Sacrificios sensacionales Deleitando los sentidos en los Andes bolivianos6 cited