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This essay examines the question whether dance can do philosophy by considering the manner in which dance processes used in the studio can advance philosophical investigations of human embodiment. Two contemporary improvisation techniques are discussed, Gaga technique developed by Ohad Naharin and Contact Improvisation developed by Steve Paxton.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.