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Repatriation as reanimation through reciprocity
2 references·16 citing·42 second hop
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this work references cited by second hop

References

  • 1998The Cultural Life of Intellectual Properties552 cited
  • 2004Who Owns Native Culture?363 cited

Cited by

  • 2018The Musical Gift69 cited
  • 2021Sound Relations57 cited
  • 2019Decolonization for Ethnomusicology and Music Studies in Higher Education50 cited
  • 2020Indigenous music sustainability during climate change37 cited
  • 2018Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 195733 cited
  • 2019Joseph Johnson's Lost Gamuts: Native Hymnody, Materials of Exchange, and the Colonialist Archive28 cited
  • 2021Ethnomusicology and the Meeting of Knowledges in Music21 cited
  • 2021Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone20 cited
  • 2021The Modernity of the Songlines18 cited
  • 2021Ethnomusicological Praxis18 cited
  • 2021Music for Global Human Development18 cited
  • 2021Ethical Friction13 cited
  • 2017Sonic colour zones: Laura Boulton and the hunt for music9 cited
  • 2024Shxwelí li te shxwelítemelh xíts'etáwtxw: The museum's confinement of Indigenous kin

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5 cited
  • 2016Biography of a Sonic Archive2 cited
  • 2020Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher2 cited