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Orpheus on Screen:
11 references·0 citing·23 second hop
Orpheus on Screen: (2003)Orpheus on Screen:The Canadian Review of Comparative Literature (2006)The Canadian Review of Compar…Tropical multiculturalism: a comparative history of race in Brazilian cinema and culture (1998)Tropical multiculturalism: a …Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (1998)Tropical Multiculturalism: A …RELIGION/LITERATURE/FILM: TOWARD A RELIGIOUS VISUALITY OF FILM (1998)RELIGION/LITERATURE/FILM: TOW…Samba: resistance in motion (1996)Samba: resistance in motionSamba (1995)SambaThe Films of Carlos Saura. The Practice of Seeing (1992)The Films of Carlos Saura. Th…Under the Spell of Orpheus: The Persistence of a Myth in Twentieth-Century Art (1991)Under the Spell of Orpheus: T…The Films of Carlos Saura (1991)The Films of Carlos SauraBreaking the frame: film language and the experience of limits (1991)Breaking the frame: film lang…The Noh Theatre: Principles and Perspectives (1984)The Noh Theatre: Principles a…Nation and Anti-Nation: Concepts of National Cinema in the "New" Media Era (1996)A Nationalist Environment: Indians, Nature, and the Construction of the Xingu National Park in Brazil (2004)Drugs, Thugs, and Divas (2008)The Middle East and Brazil: Perspectives on the New Global South (2014)Secrets, Gossip, and Gods (2002)Environmentalism and Postcolonialism (2005)Postcolonial Studies and the Study of History (2005)The Theatrical Fusion of Suzuki Tadashi (1989)Silence that reflects: Butoh,Ma, and a crosscultural gaze (1990)The Noh Theater: Mirror, Mask, and Madness (1994)Visual literacy and manipulation (1994)Ovid on Screen (2020)Reading Hollywood in/and Spanish Cinema (1997)Crisis and Chronicity: Anthropological Perspectives on Continuous Conflict and Decline (2008)Playing with fear: parkour and the mobility of emotion (2008)Make kin, not cities! Multispecies entanglements and ‘becoming-world’ in planning theory (2017)Of Rhythms and Borders (1997)Rebellions of Everynight Life (1997)Salsa as Translocation (1997)Visual codes of secrecy : photography of death and projective identification (2005)“Not the Lover’s Choice, but the Poet’s”: Classical Receptions in Portrait of a Lady on Fire (2020)THE POLITICS AND POETICS OF DANCE (1998)Geographies for Moving Bodies: Thinking, Dancing, Spaces (2008)
this work references cited by second hop

References

  • 2006The Canadian Review of Comparative Literature319 cited
  • 1996Samba: resistance in motion238 cited
  • 1998Tropical multiculturalism: a comparative history of race in Brazilian cinema and culture234 cited
  • 1998Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture73 cited
  • 1995Samba69 cited
  • 1991The Films of Carlos Saura48 cited
  • 1992The Films of Carlos Saura. The Practice of Seeing46 cited
  • 1984The Noh Theatre: Principles and Perspectives32 cited
  • 1991Breaking the frame: film language and the experience of limits32 cited
  • 1991Under the Spell of Orpheus: The Persistence of a Myth in Twentieth-Century Art15 cited
  • 1998RELIGION/LITERATURE/FILM: TOWARD A RELIGIOUS VISUALITY OF FILM11 cited

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