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REFLECTIONS OF A DISAPPOINTED POPULAR MUSIC SCHOLAR
0 references·7 citing·27 second hop
REFLECTIONS OF A DISAPPOINTED POPULAR MUSIC SCHOLAR (2002)REFLECTIONS OF A DISAPPOINTED POPULAR MUS…Looking Beyond the Republic of Love or Hate in Turkey: Studies in Popular Music (2019)Looking Beyond the Republic o…Mapping Popular Music Studies in Turkey Onto Studies in the Anglophone World (2017)Mapping Popular Music Studies…Genre and the cultural politics of territory: The live experience of free improvisation (2012)Genre and the cultural politi…Remembering Popular Music, Documentary Style (2011)Remembering Popular Music, Do…Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype (2011)Bruce Springsteen, Rock Criti…Music and American Culture (2007)Music and American CultureThe racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music (2002)The racial politics of hybrid…The Past is a Foreign Country (1986)Representing reality: issues and concepts in documentary (1992)Liveness: performance in a mediatized culture (2008)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Creative industries: contracts between art and commerce (2000)Creative Industries: Contracts between Art and Commerce (2001)The Political Economy of Financially Successful Independent Hip-Hop Artists (2014)Delight and the grateful customer: beyond joy and surprise (2017)Hype: Marker and maker of entrepreneurial culture (2024)Creating Country Music (1997)The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (2002)Making beats: the art of sample-based hip-hop (2005)Postmodernism and Consumer Society (2001)Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity (2010)Song Style as Strategy: Nationalism, Cosmopolitanism and Citizenship in The Idan Raichel Project's Ethiopian-influenced Songs (2014)Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom (2017)Behavior in Public Places: Notes on the Social Organization of Gatherings. (1964)Frame Analysis: An Essay on the Organization of Experience. (1975)Making space: an exchange about women and the performance of free noise (2015)Collective Free Music Improvisation as a Sociocommunicative Endeavor: A Literature Review (2018)The Absent Presence of Progressive Rock in the British Music Press, 1968-1974 (2019)Relations in Public. Microstudies of the Public Order (2022)Music and Urban Geography (2012)Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams (2016)The Cultural Industries (2019)Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams. (2003)The SAGE International Encyclopedia of Music and Culture (2019)
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Cited by

  • 2002The racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music20 cited
  • 2011Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype13 cited
  • 2012Genre and the cultural politics of territory: The live experience of free improvisation11 cited
  • 2011Remembering Popular Music, Documentary Style4 cited
  • 2017Mapping Popular Music Studies in Turkey Onto Studies in the Anglophone World3 cited
  • 2007Music and American Culture2 cited
  • 2019Looking Beyond the Republic of Love or Hate in Turkey: Studies in Popular Music2 cited

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