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The Closet of Masks: Role-Playing and Myth-Making in the Orestes of Euripides
7 references·14 citing·42 second hop
The Closet of Masks: Role-Playing and Myth-Making in the Orestes of Euripides (1980)The Closet of Masks: Role-Playing and Myt…The Medea of Euripides (1977)The Medea of EuripidesIronic Drama: A Study of Euripides' Method and Meaning (1976)Ironic Drama: A Study of Euri…Petronius as Paradox: Anarchy and Artistic Integrity (1971)Petronius as Paradox: Anarchy…Dionysus and the City: Modernism in Twentieth-Century Poetry. (1971)Dionysus and the City: Modern…Society Without the Father (1963)Society Without the FatherThe Drama of Euripides (1961)The Drama of EuripidesEuripides: Interpretationen zur dramatischen Form (1958)Euripides: Interpretationen z…Monody and Dramatic Form in Late Euripides (2017)Monody and Dramatic Form in L…Moral History from Herodotus to Diodorus Siculus (2016)Moral History from Herodotus …Euripides and the Development of Greek Tragedy (2016)Euripides and the Development…SophoclesDidaskalos (2012)SophoclesDidaskalosWriting and self-conscious mythopoiēsis in Euripides (2010)Writing and self-conscious my…The drunk, the reformer and the teacher: agonistic poetics and the construction of persona in the comic poets of the fifth century (2008)The drunk, the reformer and t…The Hermeneutics and Poetics of Memory in Aeschylus's Persae (2007)The Hermeneutics and Poetics …Allusion and Narrative Possibility in the Argonautica of Valerius Flaccus (1999)Allusion and Narrative Possib…Pentheus and the Spectator in Euripides' Bacchae (1998)Pentheus and the Spectator in…Subject to Emotion: Exploring Madness inOrestes (1993)Subject to Emotion: Exploring…Euripides and Aeschylus: The Case of the "Hekabe" (1993)Euripides and Aeschylus: The …Parting Words: Final Lines in Sophocles and Euripides (1987)Parting Words: Final Lines in…Euripidean Madness: Herakles and Orestes (1987)Euripidean Madness: Herakles …Framing and polyphony: readings in Hellenistic poetry (1986)Framing and polyphony: readin…A History of Education in Antiquity (1956)The Anxiety of Influence (1973)Miasma: Pollution and Purification in Early Greek Religion (1985)Embodying the Tragic Father(s): Autobiography and Intertextuality in Aristophanes (2010)The Cambridge Companion to Greek Comedy (2014)Greek Tragedy in the Fourth Century: The Fragments (2018)Actor's Interpolations in Greek Tragedy (1935)Sophocles: An Interpretation (1980)The Chorus in Sophocles' Tragedies (1980)Euripides' Escape-Tragedies (2005)Thucydides and the Philosophical Origins of History (2006)Sophocles: Oedipus the King (2018)The Anxiety of Influence: A Theory of Poetry (1974)Dissemination (1981)Reading Greek Tragedy (1986)Cretan Women (2006)Inconsistency in Roman Epic: Studies in Catullus, Lucretius, Vergil, Ovid and Lucan (2007)‘Without Lies or Deception’: Oracular Claims to Truth in the Epistle to Titus (2017)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)The Value of Narrativity in the Representation of Reality (1980)Story logic: problems and possibilities of narrative (2002)Author and Characters: Ancient, Narratological, and Cognitive Views on a Tricky Relationship (2021)Big and Little Histories (2021)Herodotus and Imperial Greek Literature (2022)Dangerous Gifts: Ideologies of Marriage and Exchange in Ancient Greece (2003)Greek Tragic Theatre (2003)Ritual Irony (2019)This Is Her Century: A Study of Margaret Walker s Work (2013)Urban Dystopias (2014)Dionysus after Nietzsche (2020)Bibliography of Literature Related to Roles of Fathers. (1976)Relationship between sons’ perceptions of fathers’ messages and satisfaction in adult son‐father relationships (1992)Absent Fathers: Effects on Abandoned Sons (1998)Petronius and the Anatomy of Fiction (2002)Reading Fiction with Lucian (2014)Seneca’s Tragedies and the Aesthetics of Pantomime (2014)Medea and British Legislation Before The First World War (1999)Female Control of Funeral Rites in Greek Tragedy: Klytaimestra, Medea, and Antigone (2008)Tragedy in Ovid: Theater, Metatheater, and the Transformation of a Genre (2013)‘I Know You — By Your Rags’ Costume and Disguise in Fifth-century Drama (1982)Society and Economy (1992)The Athenian revolution (1992)
this work references cited by second hop

References

  • 1971Dionysus and the City: Modernism in Twentieth-Century Poetry.103 cited
  • 1971Petronius as Paradox: Anarchy and Artistic Integrity98 cited
  • 1961The Drama of Euripides89 cited
  • 1977The Medea of Euripides73 cited
  • 1976Ironic Drama: A Study of Euripides' Method and Meaning49 cited
  • 1963Society Without the Father44 cited
  • 1958Euripides: Interpretationen zur dramatischen Form42 cited

Cited by

  • 2008The drunk, the reformer and the teacher: agonistic poetics and the construction of persona in the comic poets of the fifth century80 cited
  • 1987Parting Words: Final Lines in Sophocles and Euripides48 cited
  • 1986Framing and polyphony: readings in Hellenistic poetry47 cited
  • 2016Moral History from Herodotus to Diodorus Siculus44 cited
  • 1993Euripides and Aeschylus: The Case of the "Hekabe"36 cited
  • 2007The Hermeneutics and Poetics of Memory in Aeschylus's Persae33 cited
  • 2010Writing and self-conscious mythopoiēsis in Euripides31 cited
  • 1987Euripidean Madness: Herakles and Orestes30 cited
  • 1998Pentheus and the Spectator in Euripides' Bacchae

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29 cited
  • 1999Allusion and Narrative Possibility in the Argonautica of Valerius Flaccus28 cited
  • 1993Subject to Emotion: Exploring Madness inOrestes26 cited
  • 2016Euripides and the Development of Greek Tragedy26 cited
  • 2017Monody and Dramatic Form in Late Euripides23 cited
  • 2012SophoclesDidaskalos15 cited