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The Wiles of Maghrebi Women’s Cinema
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The Wiles of Maghrebi Women’s Cinema (2010)The Wiles of Maghrebi Women’s CinemaArab cinema: history and cultural identity (2008)Arab cinema: history and cult…African filmmaking: north and south of the Sahara (2007)African filmmaking: north and…Reframing Difference: ‘Beur’ and ‘banlieue’ Film-Making in France (2006)Reframing Difference: ‘Beur’ …African Filmmaking (2006)African FilmmakingAfrican Filmmaking (2006)African FilmmakingReframing Difference: Beur and Banlieue Filmmaking in France (2005)Reframing Difference: Beur an…Postcolonial Images: Studies in North African Film (2004)Postcolonial Images: Studies …An Accented Cinema (2001)An Accented CinemaAn Accented Cinema : Exilic and Diasporic Filmmaking (2001)An Accented Cinema : Exilic a…Les mémoires de la Méditerranée (1998)Les mémoires de la Méditerran…Framing Post-Third-Worldist Culture: Gender and Nation in Middle Eastern/North African Film (1996)Framing Post-Third-Worldist C…Dreams of Trespass: Tales of a Harem Girlhood (1995)Dreams of Trespass: Tales of …Dreams of Trespass: Tales of a Harem Girlhood (1994)Dreams of Trespass: Tales of …Sexuality and War: Literary Masks of the Middle East (1991)Sexuality and War: Literary M…Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Palestine, Israel, and the Politics of Popular Culture (2005)Dictionary of African Film Makers (2009)Comedy of power, power of comedy: strategic transformations in African cinemas1 (2010)Authorship and criticism in self-reflexive African cinema (2011)Locating Migrant and Diasporic Cinema in Contemporary Europe (2010)Screening integration: recasting Maghrebi immigration in contemporary France (2012)Identités françaises (2019)Women, Sexuality, and Social Change in the Middle East and the Maghreb (2002)Perceptions of Rape and Attitudes Toward Women in a Sample of Lebanese Students (2009)Militarization and violence against women in conflict zones in the Middle East: a Palestinian case-study (2010)Women and kinship: comparative perspectives on gender in South and South-East Asia (1998)Independence and interdependence in diverse cultural contexts (2000)Culture, autonomy, and personal jurisdiction in adolescent-parent relationships (2002)Évolution du verlan, marqueur social et identitaire, dans les films: La Haine (1995) et L’Esquive (2004) (2010)The eighteenth-century novel (2011)The Culture of Morality (2001)The culture of morality: social development, context, and conflict (2002)The Feminization of Public Space: Women's Activism, the Family Law, and Social Change in Morocco (2006)National, transnational or supranational cinema? Rethinking European film studies (2005)Introduction: Music and Migration (2006)Managing Muslim Visibility: Conversion, Immigration, and Spanish Imaginaries of Islam (2012)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)
this work references cited by second hop

References

  • 2001An Accented Cinema922 cited
  • 2001An Accented Cinema : Exilic and Diasporic Filmmaking476 cited
  • 2008Arab cinema: history and cultural identity257 cited
  • 2006Reframing Difference: ‘Beur’ and ‘banlieue’ Film-Making in France191 cited
  • 1995Dreams of Trespass: Tales of a Harem Girlhood149 cited
  • 1994Dreams of Trespass: Tales of a Harem Girlhood123 cited
  • 2005Reframing Difference: Beur and Banlieue Filmmaking in France83 cited
  • 1991Sexuality and War: Literary Masks of the Middle East63 cited
  • 2007African filmmaking: north and south of the Sahara49 cited
  • 2006African Filmmaking48 cited
  • 2004Postcolonial Images: Studies in North African Film48 cited
  • 1996Framing Post-Third-Worldist Culture: Gender and Nation in Middle Eastern/North African Film10 cited
  • 2006African Filmmaking8 cited
  • 1998Les mémoires de la Méditerranée7 cited

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