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Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression
16 references·0 citing·26 second hop
Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression (2016)Film and the Phenomenology of Art: Reappr…Narration in the Fiction Film (2013)Narration in the Fiction FilmPhenomenology and the Future of Film (2012)Phenomenology and the Future …Mind and Cosmos (2012)Mind and CosmosThe Tactile Eye: Touch and the Cinematic Experience (2009)The Tactile Eye: Touch and th…Carnal thoughts: embodiment and moving image culture (2005)Carnal thoughts: embodiment a…The World of Perception (2004)The World of PerceptionThe Address of the Eye (1992)The Address of the EyeSense and non-sense (1992)Sense and non-senseCinema 1: The Movement-Image (1987)Cinema 1: The Movement-ImageTransparent Pictures: On the Nature of Photographic Realism (1984)Transparent Pictures: On the …The Major Film Theories: An Introduction (1976)The Major Film Theories: An I…The Phenomenology of Aesthetic Experience. (1975)The Phenomenology of Aestheti…The World Viewed: Reflections on the Ontology of Film. (1974)The World Viewed: Reflections…Film Language: A Semiotics of the Cinema. (1974)Film Language: A Semiotics of…What is cinema (1967)What is cinemaThe Ontology of the Photographic Image (1960)The Ontology of the Photograp…Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)The essence of essences – the search for meaning structures in phenomenological analysis of lifeworld phenomena (2006)Embodiment in Socially Interactive Robots (2019)Sensemaking Reconsidered: Towards a broader understanding through phenomenology (2020)What’s ‘home’ Got to do with it? (2003)A philosophy of cinematic art (2010)When people come first: critical studies in global health (2013)The Routledge Companion to Aesthetics (2005)What's the Point of an Index? or, Faking Photographs (2008)The Close-Up: Scale and Detail in the Cinema (2003)Affecting Geospatial Technologies: Toward a Feminist Politics of Emotion* (2007)LOOKING FOR M— (2009)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Embodying movies: Embodied simulation and film studies (2012)A multimodal discourse theory of visual narrative (2014)Les luttes pour la visibilité (2005)Seeing What We Know: Disability and Theories of Metaphor (2010)Videographic geographies: Using digital video for geographic research (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)“What is Critical Realism? And Why Should You Care?” (2013)Mathematics and the Body: Material Entanglements in the Classroom (2014)The experimental evidence for parapsychological phenomena: A review. (2018)
this work references cited by second hop

References

  • 1992The Address of the Eye1,199 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2012Mind and Cosmos996 cited
  • 2005Carnal thoughts: embodiment and moving image culture797 cited
  • 1960The Ontology of the Photographic Image748 cited
  • 1987Cinema 1: The Movement-Image691 cited
  • 1974Film Language: A Semiotics of the Cinema.610 cited
  • 1967What is cinema602 cited
  • 1974The World Viewed: Reflections on the Ontology of Film.483 cited
  • 2004The World of Perception473 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 1992Sense and non-sense296 cited
  • 2009The Tactile Eye: Touch and the Cinematic Experience228 cited
  • 1975The Phenomenology of Aesthetic Experience.144 cited
  • 1976The Major Film Theories: An Introduction99 cited
  • 2012Phenomenology and the Future of Film64 cited

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