SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Possessed Individual
0 references·9 citing·40 second hop
The Possessed Individual (1992)The Possessed IndividualThe Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)The Moral Economy of Person P…Theatre, technology, and time (2005)Theatre, technology, and timeVerhoeven, Virilio, and "Cinematic Derealization" (1999)Verhoeven, Virilio, and "Cine…Paul Virilio's Bunker Theorizing (1999)Paul Virilio's Bunker Theoriz…Visions of excess: Cyberspace, digital technologies and new cultural politics (1998)Visions of excess: Cyberspace…Art in the Information Economy (1996)Art in the Information EconomyMorphing Borders: The Remanence of MTV (1995)Morphing Borders: The Remanen…Uncomfortably Numb: Countercultural Impulses in the Postmodern Era (1993)Uncomfortably Numb: Countercu…Twilight of the Parasites: Ultramodern Capital and the New World Order (1993)Twilight of the Parasites: Ul…Communication as Culture: Essays on Media and Society (1992)Forms of Nationhood: The Elizabethan Writing of England. (1993)Culture and Economic Competitiveness: An Emerging Role for the Arts in Canada (2002)The Other Heading: Reflections on Today’s Europe (2010)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Balls Enough: Manliness and Legitimated Violence in Hell's K itchen (2012)Embodying Deficiency Through ‘Affective Practice’: Shame, Relationality, and the Lived Experience of Social Class and Gender in Higher Education (2015)The best friend, the boyfriend, other girls, hot guys, and creeps: the relational production of self on Tumblr (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Being and Time (1927)The End of History and the Last Man (1992)The End of History and the Last Man (1993)The expansion of scenography in virtual reality theatre: investigating the potential of double scenography in Makropol’s Anthropia (2020)Feminist practice and poststructuralist theory (1988)Postmodernism, or, The cultural logic of late capitalism (1991)Subculture: The Meaning of Style (1995)The Self in a World of Going Concerns (2000)Rethinking Subcultural Resistance (2004)“How Edge Are You?” Constructing Authentic Identities and Subcultural Boundaries in a Straightedge Internet Forum (2005)Seduction (1990)Symbolic exchange and death (1994)Simulacra and Simulation (1995)The Bunker: Metaphor, materiality and management (2011)Who goes there?Accounting for gender in the urge to explore abandoned military bunkers (2013)Vold og Volde i et stormfuldt landskab (2022)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Sociological Imagination (1959)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)The Ultramodern Condition: On the Phenomenology of the Shadow as Transgression (2012)The Language of Thought (1975)The sublime object of ideology (1990)The Production of Space (1992)The Name Above the Title: An Autobiography (1971)Resisting the virtual life: the culture and politics of information (1996)The Ecstasy of Communication (2007)Techno-Scopophilia: The Semiotics of Technological Pleasure in Film (2009)Gender Politics And MTV: Voicing the Difference (1990)The True and Only Heaven: Progress and Its Critics. (1992)Geographies of Learning: Theatre Studies, Performance, and the "Performative" (1993)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television201 cited
  • 1993Uncomfortably Numb: Countercultural Impulses in the Postmodern Era29 cited
  • 1993Twilight of the Parasites: Ultramodern Capital and the New World Order24 cited
  • 1999Paul Virilio's Bunker Theorizing18 cited
  • 2005Theatre, technology, and time10 cited
  • 1999Verhoeven, Virilio, and "Cinematic Derealization"10 cited
  • 1998Visions of excess: Cyberspace, digital technologies and new cultural politics8 cited
  • 1996Art in the Information Economy7 cited
  • 1995Morphing Borders: The Remanence of MTV4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work