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Using hyperspectral imaging to reveal a hidden precolonial Mesoamerican codex
7 references·4 citing·41 second hop
Using hyperspectral imaging to reveal a hidden precolonial Mesoamerican codex (2016)Using hyperspectral imaging to reveal a h…Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi (2011)Colouring materials of pre-Co…Lord 8 Deer “Jaguar Claw” and the Land of the Sky: The Archaeology and History of Tututepec (2004)Lord 8 Deer “Jaguar Claw” and…Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs (2001)Stories in Red and Black: Pic…Stories in Red and Black (2000)Stories in Red and BlackIn the realm of 8 Deer: the archaeology of the Mixtec codices (1995)In the realm of 8 Deer: the a…In the Realm of 8 Deer: The Archaeology of the Mixtec Codices (1994)In the Realm of 8 Deer: The A…Picture Writing from Ancient Southern Mexico: Mixtec Place Signs and Maps (1974)Picture Writing from Ancient …Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville (2024)Development of a Hyperspectra…Recovering illegible writings in fire-damaged medieval manuscripts through data treatment of UV-fluorescence photography (2018)Recovering illegible writings…Cultural and Historical Implications of Non-destructive Analyses on Mesoamerican Codices in the Bodleian Libraries (2018)Cultural and Historical Impli…Independent macroscopic chemical mappings of cultural heritage materials with reflectance imaging spectroscopy: case study of a 16 th century Aztec manuscript (2017)Independent macroscopic chemi…Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Story and Discourse: Narrative Structure in Fiction and Film (1979)Tropics of Discourse: Essays in Cultural Criticism (1979)The Not So Peaceful Civilization: A Review of Maya War (2000)How an Andean "Writing without Words" Works (2001)Hybridity and Its Discontents: Considering Visual Culture in Colonial Spanish America* (2003)Florentine Codex: General history of the things of New Spain (1950)Materials Issues in Art and Archaeology (1991)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)The Basin of Mexico: Ecological Processes in the Evolution of a Civilization (1981)Colonialism and its forms of knowledge: the British in India (1997)The Darker Side of the Renaissance (2003)Regional Settlement Pattern Studies (2008)Tlaxcallan: the archaeology of an ancient republic in the New World (2011)Collaborative and competitive strategies in the variability and resiliency of large‐scale societies in Mesoamerica (2018)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Simulating the composition and structuration of coloring layers in historical painting from non-invasive spectral reflectance measurements (2018)Discrimination of papers used in conservation and restoration by the means of the voltammetry of immobilized microparticles technique (2019)Spectral characterisation of a traditional Mesoamerican dye: relationship between in situ identification on the 16 th century Codex Borbonicus manuscript and composition of Justicia spicigera plant extract (2021)Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)Practical notes on ultraviolet technical photography for art examination (2015)Revealing the biography of a hidden medieval manuscript using synchrotron and conventional imaging techniques (2017)Ancient handwriting attribution via spectroscopic benchmarks and machine learning: ‘Clavis Prophetarum’ by Antonio Viera (2023)Advanced imaging to recover illegible text in historic documents. The challenge of past chemical treatments for ink enhancement (2024)Unveiling materials and origin of reused medieval music parchments by portable XRF and ER-FTIR (2024)Origin and Collapse of Complex Societies in Oaxaca (Mexico): Evaluating the Era from 1965 to the Present (1998)The Return of Quetzalcoatl (1998)The Social Life of Pre‐Sunrise Things (2002)Aspects of Dress and Ornamentation in Coastal Oaxaca’s Formative Period (2014)“That Damned Mob of Scribbling Women” (2015)Annals of Native America (2016)Rereading the Maps of the Columbian Encounter (1992)Writing Without Words (1994)The Memory of Bones (2006)Monte Negro and the Urban Revolution in Oaxaca, Mexico (2004)Expansionary dynamics of the nascent Monte Albán state (2010)
this work references cited by second hop

References

  • 2000Stories in Red and Black292 cited
  • 1974Picture Writing from Ancient Southern Mexico: Mixtec Place Signs and Maps157 cited
  • 2001Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs75 cited
  • 2004Lord 8 Deer “Jaguar Claw” and the Land of the Sky: The Archaeology and History of Tututepec69 cited
  • 2011Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi55 cited
  • 1995In the realm of 8 Deer: the archaeology of the Mixtec codices42 cited
  • 1994In the Realm of 8 Deer: The Archaeology of the Mixtec Codices32 cited

Cited by

  • 2017Independent macroscopic chemical mappings of cultural heritage materials with reflectance imaging spectroscopy: case study of a 16 th century Aztec manuscript15 cited
  • 2018Recovering illegible writings in fire-damaged medieval manuscripts through data treatment of UV-fluorescence photography14 cited
  • 2024Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville8 cited
  • 2018Cultural and Historical Implications of Non-destructive Analyses on Mesoamerican Codices in the Bodleian Libraries7 cited

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