SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Live from the ether
16 references·0 citing·43 second hop
Live from the ether (2015)Live from the etherYouTube and the social archiving of intangible heritage (2013)YouTube and the social archiv…YouTube, fanvids, forums, vlogs and blogs: Informal music learning in a convergent on- and offline music community (2012)YouTube, fanvids, forums, vlo…Supply responses to digital distribution: Recorded music and live performances (2012)Supply responses to digital d…Patterns of listening through social media: online fan engagement with the live music experience (2012)Patterns of listening through…You should have been there, man: Live music, DIY content and online communities (2011)You should have been there, m…The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music (2011)The YouTube Effect: How YouTu…An Investigation of Early Childhood Teacher Self-Efficacy Beliefs in the Teaching of Arts Education (2011)An Investigation of Early Chi…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Youtube: Where Cultural Memory and Copyright Converge (2007)Youtube: Where Cultural Memor…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Signals in Social Supernets (2007)Signals in Social SupernetsMP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly1 (2005)MP3s Are Killing Home Taping:…Music in the Age of Free Distribution: MP3 and Society (2002)Music in the Age of Free Dist…Simulacra and Simulation (1995)Simulacra and SimulationMadonna's postmodern feminism: Bringing the margins to the center (1992)Madonna's postmodern feminism…Illuminations: Essays and Reflections (1968)Illuminations: Essays and Ref…Self-Efficacy: The Exercise of Control (1999)User-generated content, YouTube and participatory culture on the Web: music learning and teaching in two contrasting online communities (2013)Reconceptualizing the Sources of Teaching Self-Efficacy: a Critical Review of Emerging Literature (2016)Connecting music education and virtual performance practices from YouTube (2017)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Capturing sound: how technology has changed music (2005)Music, informal learning and the school: a new classroom pedagogy (2009)The role of online videos in research communication: A content analysis of Y ou T ube videos cited in academic publications (2012)Rethinking teaching and learning pedagogy for education in the twenty-first century: blended learning in music education (2016)A hybrid learning pedagogy for surmounting the challenges of the COVID-19 pandemic in the performing arts education (2021)Distinction: A Social Critique of the Judgement of Taste. (1985)Textual poachers : television fans & participatory culture (1992)Tactile digital ethnography: Researching mobile media through the hand (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Bowling Alone: America's Declining Social Capital (1995)Communities of Practice (1998)Assessing teachers’ perspectives on giving music lessons remotely during the COVID-19 lockdown period (2021)Exploring the aids of social media for musical instrument education (2021)The Coding Manual for Qualitative Researchers (2025)The Presentation of Self in Everyday Life. (1956)The Strength of Weak Ties (1973)The Impact of Context Collapse and Privacy on Social Network Site Disclosures (2012)Sharing the small moments: ephemeral social interaction on Snapchat (2015)Diffusion of Innovations 1 (2019)Profiting from technological innovation: Implications for integration, collaboration, licensing and public policy (1986)Profiting from technological innovation: Implications for integration, collaboration, licensing and public policy (1993)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)How do firms make money selling digital goods online? (2014)How Digitization Has Created a Golden Age of Music, Movies, Books, and Television (2017)Online and offline retailing: What we know and directions for future research (2022)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)For Public Sociology (2005)Knowledge and Critical Pedagogy (2008)Deleuze and the Anthropology of Becoming (2010)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Simulacra and Simulation (2007)Rethinking Populism: Politics, Mediatisation and Political Style (2013)
this work references cited by second hop

References

  • 1995Simulacra and Simulation6,889 cited
  • 1968Illuminations: Essays and Reflections3,839 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2007Signals in Social Supernets801 cited
  • 2012Supply responses to digital distribution: Recorded music and live performances227 cited
  • 2011An Investigation of Early Childhood Teacher Self-Efficacy Beliefs in the Teaching of Arts Education174 cited
  • 2011The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music171 cited
  • 2012YouTube, fanvids, forums, vlogs and blogs: Informal music learning in a convergent on- and offline music community149 cited
  • 2012Patterns of listening through social media: online fan engagement with the live music experience132 cited
  • 2005MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly1102 cited
  • 2007Youtube: Where Cultural Memory and Copyright Converge97 cited
  • 2011You should have been there, man: Live music, DIY content and online communities76 cited
  • 2013YouTube and the social archiving of intangible heritage72 cited
  • 1992

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Madonna's postmodern feminism: Bringing the margins to the center
46 cited
  • 2002Music in the Age of Free Distribution: MP3 and Society27 cited
  • Cited by

    No citing works inside the corpus for this window.