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Use of Ultraviolet Light as an Aid to Pigment Identification
4 references·6 citing·27 second hop
Use of Ultraviolet Light as an Aid to Pigment Identification (1991)Use of Ultraviolet Light as an Aid to Pig…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Rohm and Haas: History of a Chemical Company (1988)Rohm and Haas: History of a C…Physical and Chemical Examination of Paints, Varnishes, Lacquers and Colors (1931)Physical and Chemical Examina…A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice (2021)A Comprehensive and Systemati…Uncovering hidden jewels: an investigation of the pictorial layers of an 18th-century Taskin harpsichord (2020)Uncovering hidden jewels: an …Discovery of Vespasiano Bignami paintings at the National Theatre of Costa Rica through technical photography and UV–Vis spectroscopy (2020)Discovery of Vespasiano Bigna…Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints (2019)Synchrotron Deep-UV Photolumi…UV Fluorescence Photography of Works of Art : Replacing the Traditional UV Cut Filters with Interference Filters (2010)UV Fluorescence Photography o…Nondestructive Testing of Historic Structures (1999)Nondestructive Testing of His…Fluorescence of Paint and Varnish Layers (Part III) (1982)The Characterization of Metal Soaps (2003)ATR-FTIR spectroscopic imaging of white crusts in cross sections from oil cartoons by Edward Poynter in the Heritage Collections at UK Parliament (2023)An analytical survey of zinc white historical and modern artists’ materials (2024)Infrared Spectroscopy in Conservation Science (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Unveiling the mural painting art of Almada Negreiros at the Maritime Stations of Alcântara (Lisbon): diagnosis research of paint layers as a guide for its future conservation (2021)Spectroscopic Study of White Pigments in the Decoration of Neolithic Pottery in the Region of the Thracian Valley, Bulgaria (2024)Vibrational and electronic properties of painting lakes (2008)Identification of pigments by multispectral imaging; a flowchart method (2014)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Non-Invasive and Sustainable Characterization of Pigments in Wall Paintings: A Library of Apulian Colors (2023)History of strength of materials (1954)Search for Hidden Chambers in the Pyramids (1970)Hagia Sophia from the age of justinian to the present (1993)Dammar and Mastic Varnishes: Hardness, Brittleness, and Change in Weight upon Drying (1958)Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints (2015)How do you say “Bocour” in French? The work of Carmen Herrera and acrylic paints in post-war Europe (2018)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Handheld XRF for Art and Archaeology (2013)The dynamics of technological innovation: The case of the chemical industry (1990)Raman spectroscopic characterization of laminated glass and transparent sheet plastics to amplify a history of early aviation ‘glass’ (2014)The American Synthetic Organic Chemicals Industry: War and Politics, 1910–1930 (2015)Using MA-rFTIR Mapping as a Tool to Assess the Efficacy of Cleaning Treatments and to Aid in the Restoration Activities of Paintings (2024)
this work references cited by second hop

References

  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2456 cited
  • 2011Painting Materials: A Short Encyclopedia385 cited
  • 1931Physical and Chemical Examination of Paints, Varnishes, Lacquers and Colors76 cited
  • 1988Rohm and Haas: History of a Chemical Company26 cited

Cited by

  • 2019Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints20 cited
  • 1999Nondestructive Testing of Historic Structures16 cited
  • 2020Discovery of Vespasiano Bignami paintings at the National Theatre of Costa Rica through technical photography and UV–Vis spectroscopy12 cited
  • 2020Uncovering hidden jewels: an investigation of the pictorial layers of an 18th-century Taskin harpsichord11 cited
  • 2021A Comprehensive and Systematic Diagnostic Campaign for a New Acquisition of Contemporary Art—The Case of Natura Morta by Andreina Rosa (1924–2019) at the International Gallery of Modern Art Ca’ Pesaro, Venice8 cited
  • 2010UV Fluorescence Photography of Works of Art : Replacing the Traditional UV Cut Filters with Interference Filters8 cited

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