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More than two decades have passed since the debacle of dictator Ferdinand E. Marcos, a key figure in Philippine modernization. Ironically, a regime remembered for its repression of the media is now regarded with profound nostalgia. The sense of nostalgia is most pronounced in the cinema, with recent films attesting to the longevity of the Marcos romance: Dekada 70 (Chito S. Roño, 2002), Imelda (Ramona S. Diaz, 2003), and Pinoy/Blonde (Peque Gallaga, 2005). These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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Stored only when both papers are in the corpus — 10 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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