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This chapter begins with an exposition and critique of Ernst Gombrich's illusionistic theory of the experience of realistic pictures. It then modulates to its main theme — a critical examination of Richard Wollheim's view of pictorial perception as a matter of seeing one thing in another — which is considered in both its early and late forms. Each of these forms is shown to be markedly deficient. The chapter then lays down guidelines for a correct theory and scouts a number of candidates. It concludes by articulating worries about Kendall Walton's ‘make-believe seeing’ conception of pictorial perception.
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