Oriental Motifs in the Alexander Romance

Abstract

Over the centuries, the fabulous adventures of Alexander the Great have become as prominent in art and literature as his historical achievements. Medieval artists in particular are frequent sources of depictions of the hero in such adventures as the search for the water of life, the flight into the air in a basket borne by eagles, the descent into the sea in a diving bell, the interview with the talking trees of India and the visit to the dwellings of the gods. Familiar as these episodes are—or were—it is easy for us to forget how completely new a thing they represent in the tradition of Greek prose writing. With the decipherments of cuneiform some one hundred years ago, a number of scholars concluded that they could not have been developed entirely within the Greek tradition, and posited direct influence from one or more Babylonian or other near eastern sources or traditions to explain the occurrence in Greek literature of these curious tales. Despite the antiquity of these arguments, they have been accepted without examination by many more recent writers on the Alexander Romance.

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